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Fairy tales of the Viennese wood
TO WATCH MICHAEL J. JOHNSON MOVIES In the following example, the actor makes a stop in front of the original structure before you come close to it. Kontrplan given. General Plan.The original design in the background. Actor A is included in the frame on the left and stops, backs to the camera, looking at the design ... Insert Kontrplan actor he looks to the right, behind the scenes, goes forward and out of the frame to the right ... General Plan. And the actor at the center, away from us, is directed to the structure. This combination is easy to implement in practice.Plan 1 is removed continuously. And the actor is, stops, then sent to the building. Frame is dropped. Actor goes back and gets the position of the second plan. At this point, we see the expression on his face when he sees the design, then goes to her.When mounting the part of the general plan of 1, corresponding to the insert, removed and replaced with an insert This kontrplan, approach, facing the camera, shows his reaction is much more clearly than if we had left the general plan of one completely.In another case, the subject is moving in a great general and causes involuntary desire viewers see him close even before it is included in some piece action. This can be done as follows. General Plan. A part of the picture to the left. He runs to the right. We see it very small, running on the beach.When he runs about a third of the way, the frame is dropped.