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Fairy tales of the Viennese wood
WATCH THE FILM OROCHI IN EXCELLENT QUALITY ONLINE " That truth was revealed to man ... What is the truth? What kind of desperation, the philosopher? Is it possible to measure both the first and second with sound schemes?Loneliness and Karin Martin, cons and David himself - a usual thing for creativity Bergman. Yet on closer examination, at least David - writer, poet - acts as a new character, unusual for other films of this director, a new well for the cinematic modernism.David speaks as if he's funeral, and his eyes are "red with tears, and not with wine." His selfishness, his sinfulness seen in the film, like Kierkegaard, as something positive, as a manifestation of the ability to distinguish between good and evil.Before feel in chemlibo guilty person is in a state of anxiety and despair, that is confusion, fear of the future. People, guided by the rules of ethics, Kierkegaard adds, though quiet, very deep creek, but he who is guided by the rules of aesthetics, not calm, but it is the excitement only on the surface.That is what Bergman wants to emphasize in his film, which he first tries to map out the transition from the "aesthetic" life to the "ethical" and more - from the "ethical" life to the "religious." In this regard, the director and comes to his subject.David understands that, although the joy that brings a work of art, is far from vulgar sensationalism, esthete expects no less profound dissatisfaction, leading him to otchayaniyu.Imenno is despair, not death is the true "deadly human disease", which can be saved from only finding refuge in their faith.However, the interpretation of which can give the final, proposed by Bergman, still many doubts and uncertainties. You can, for example, to suggest that he wants to say that religion, which is enough for David - this is only for the anchor finally bankrupt intellectuals;that this is a special, so to say, a polite form of atheism. In any case, religion is given in this film is an interpretation, as understood Protestant Kierkegaard: this is not a doctrine, and have not the madness that we see in the hysterical belief Karin.Equally undeniable and it is important, in our opinion, the work of Antonioni, and in particular its moralistic aspirations.Antonioni romantic protest against neo-capitalism - the very reason that it romantic - leads to an inability to find an artist in the surrounding reality chtolibo living and makes his film "Eclipse" is so dry, hard, stiff and hopeless. This, of course, due to his artistic method.It would be wrong pathetic attempts of his characters, their escape from the thoughts and feelings, the crash described microcosm regarded as the bankruptcy of the director himself, as a failure in the choice of means.
WATCH THE FILM OROCHI IN EXCELLENT QUALITY ONLINE References to the literature of the "new novel", and like products RobGriye should not cause confusion.In "Eclipse," like never before, Antonioni could deprive the word of dialogue literary effect. Fully mature artist who has imagination, Antonioni embodies the philosophy of zero tolerance of reality through its own concept of film language and their own equipment.Although in his writings Antonioni approaches the "neoeksperimentatorami" with contemporary modernist literature, he creates an entirely new forms, which are by nature of cinema.He wants to explore not only the most depict reality as embodied in the "anti-cinema 'opportunities to bring together, to merge the structure of the film with the structure of the inner life of man.