The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
скачать фильмы бесплатно
- If you do not mind ...France will go to two of "Uncle Vanya" - began carefully Efremov, when I came to
and explain. - But I will only play with Vertinskaya. This is my condition. We practiced and played together for three years. Well played ... - Three years? Yes ... but it seems that she will not go. I was told it is generally written statement. And Kalyagin ... Gone mad.- Still not too late to return everything as it was. But if Vertinskaya not going, and I'm not going. - This is your last word? - Last ... Wanted to ask about the play "Paul IВ»? Gave you to read ... - And whose is the play? Remind ... - Merezhkovsky ... There is a proposal Heyfetsa4 put it on me. - I did not like the play. Is none, boring ...I know you think its sixtieth anniversary ... You're right, it should be worthy of note. Events continue unfolding rapidly. Heifetz appointed head to the Theater of the Soviet Army, and he immediately invited me to the role of Paul. I answered without hesitation, "Yes!" Actually, what will you think, verify, nothing will change.Ask a sabbatical, and then we'll see. My mother told me in childhood myth of Arachne, who was famous as a weaver and embroiderer. Spoke as if apologizing - because she often moonlighted same craft. Be proud of your carpets, Arachne foolishly provoked by competition itself Athena - goddess of wisdom.She could not take the call, but by changing the appearance, came to the house of the weaver and
and warned that the gods should be careful. This advice Arachne forgotten. When Athena saw work rivals, it was the envy of sharpening. Unable to cope with him, she struck Arachne shuttle. And she hung up. Only then did the goddess called to the aid his wisdom:carefully removed the opponent out of the loop and turned into a spider. He now tirelessly to weave yarn ... That's why Peter Brook was right when he said that the spiders from the ancient Greeks to anything bad were not
and associated. May 23 Hoof It was a good shot at Abdrashitov. Filmed the penultimate scene, as Beelzebub, so I'm making all things, flies - of course, internally.
смотреть фильмы онлайн
"This is a break with the world of the contemporary cinema. РЎСЂ.: В«L'ecran de la memoireВ». Seuil, p. 178 - 496 497 Gilles Deleuze KinoObrazvremya between
and associated images. And from this point of view, bringing together images like Golda Meir to Hitler in the "here and away" will cause rejection.But that, perhaps, is the proof that we are not ready for this "read" visual images. For the method of Godard's association can not be considered. When given a single image, it is about how to choose a different way, which induces a gap between them.This operation is not in association, and on differentiation, as mathematicians say, either disparirovaniyu, as expressed by physics, if given the same potential, it is necessary to choose another, but not all, and such that between them
and formed a potential difference that give rise to chegoto third or new.In "Here and away" the couple bred French, who did not find understanding with a group fidainov. In other words, the gap is primary in relation to the Association, or an irreducible difference to classify types of similarities. Treschinazhe arises above all else and expanding.This is not about to follow the chain of images, even over the void, but of going beyond the chain or association. The film is no longer "images strung on a chain ... continuous
and chain of images, with some of them - the other slaves, and we - the whole chain of slaves. " GAP method manages all cinema One.The method of "AND", "this is first, and then there is" Being governs all things cinema. Between the two actions, the two emotions, the two perceptions, the two visual images, the two images of the sound between the sound and visual to see indistinguishable, ie the border.Whole undergoes a mutation, because it is no longer EdinymBytiem to become constitutive "and" things constitutive gap between images. In such cases, the merged entity to what Blanchot calls the power of "the dispersion of the Outer" or "dizziness from gaps":is a void, which is no longer the driving force of images and images that can overcome the sake of its own extension - but it radically questions the images themselves and then mounting a false reconciliation is endowed with new meaning, becoming at the same time the law.To the extent that the image itself comes off from the outside world, offscreen space, in turn, is also undergoing a mutation.