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The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
Fairy tales of the Viennese wood
СКАЧАТЬ ФИЛЬМ The camera is fixed. The actors are in the frame, sent forward and stop. Still camera was located on the other side of the line of action. Thus gives a very good visual scenes conclusion, especially when shooting dynamic motion of walking or running.TREVELLING with stops Most often, shooting motion is as follows: camera is mounted on a trolley which run on rails that are mounted in the right direction. The camera can be moved continuously or stops, it may at any time change the direction of motion.Figure 10 gives the layout of the stage, where there is a shooting motion. .10 Trevelling with stops where traffic moves i first one side, then back, then and again in the same direction. 437436 Two soldiers, A and B, move around the battlefield. The camera moves in their direction. When the soldiers and reached the position 1, they fall to the ground and wait.The camera also stops. The soldiers then go up, and one goes to a position 2, where it stops, can be traced to the camera movement. Realizing that he is one, And turns around and returns to the camera returns to the position of the third stop of the camera. B - radon. And help him to his feet and puts his hand on his shoulder.With difficulty they both moved to the position of fourth station camera. The camera is moving back in the original direction of motion. Both soldiers resting, then continued on their way, they find themselves in the position 5, where they again stopped. In said that he can not move on, he wants to stay, he's dying.Actors can move, they find themselves in-between stops behind kakihlibo obstacles: shells, guns, high grass. Case 9 The camera can move along the length of the path, then stop, and then be back to the original position. In Figure 11, we see that the actors move with stops.Shooting begins the fixed camera kadrnruyuschey And in the center of the group. When A is dissolved in the crowd, the camera moves in a straight line. A reaches in, stops, and now goes to the right, to stay close to the camera to stop crop B and C group.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН The new scene will allow the system to overcome the dull unity of place, vtiskivanie stage action in chetyrepyat bulky instruments to overcome in order to give the stage machinery of flexibility in displaying quick-episodes.New Stage vneportalnaya and mobile platforms horizontally and vertically enable the use of techniques of acting and transformation of the kinetic structures. Actors will appear in a number of roles.Abnormal that one role too na197 laden material, others as such that can be executed extras low qualifications. The new theater will not extras. There are no bad roles, there are bad actors. Each role can be strong if it takes a good actor.More actors appear interesting for performance in seven or even ten roles, showing the art of change masks, showing the art of changing images with simple means. The struggle between the cinema and the theater just yet scheduled. Where will one competitor to another?It is obvious that the theater is not a dramatic give up its position, he was on the eve of when votvot have at its disposal the scene, so technically equipped to the theater to come into open battle with the movie is not a life-and-death.The theater is still going and going further in cinemafication and movies, I'm afraid that will stumble on what I've already said the actor, who will participate in a talking film, one day feel that loses an international audience, and he wants back to the silent theater.When we start on the scenes of our drama or opera houses built structures in the samples, only needed to identify new and revolutionary content NEED proletariat plays, we encounter the enormous difficulties, provided that the theater is still not industrialized.Still can not be cast to improve the required number of scenes, the scene is technically very imperfect, and yet along the path cinemafication theater, entering the stage kinetic design, we already have a number of victories in the struggle with the movie. Leningrad has been working in three areas of theater, convenient for the viewer.The theater was built there in amphitheaters, and they are filled with a large number of spectators, unfortunately, the scenes are still equipped with the old system.When I had two to three years ago, traveling to Italy, I was amazed that in a country where the once thriving wonderful theater improvisation, where a fierce battle waged a glorious playwrights XVIII century - Goldoni and Gozzi - in a country where brilliantly developed puppet theater in the country, where was once and asserted itselfhigh theatrical culture - in this country at the present time there is no theater.