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The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
Fairy tales of the Viennese wood
Feeling this way, the need for a filmmaker deep and wide cultural training, Eisenstein in their research tends to encyclopedic, even though they may seem or are really messy. His "meeting" with poets, writers, artists are very frequent and quite unexpected.Joyce, Theodore Dreiser, Upton Sinclair, Milton, Walt Whitman, Lawrence, El Greco, TuluzLotrek, Daumier, Diego Rivera and many others. His research has extended to the domain of history, science, philosophy; from psychology, reflexology, psychoanalysis to the study of ancient civilizations, the great ancient culture.Eisenstein's dream - a Leonardo, and here, suddenly, but not in the brain of the director, and the film, in the "General Line" appears Mona Lisa, and in one article treats Eisenstein notes on the fresco "The Flood" as a classic example of film editing."If it were not for Leonardo - confessed Eisenstein - Freud, Marx and Lenin, and the movie, I quite possibly would be the second Oscar Wilde ... Freud discovered the laws of individual behavior, and Marx - the laws of social development. And I'm in the theater works and films that set in recent years, following his conscience, formed by Freud and Marx. "In his philosophical views Eisenstein comes from levogegelyanskih provisions. According to Marx and Engels, the dialectic of the system is no more than a constant reflection of the dialectical process of external events in the universe.Consequently, the reflection of the dialectical material world in the mind, in abstract form, in thought, generates dialectical thinking system that is philosophy. Similarly, the reflection of the system in a specific content and in the form generates art.The basis of these philosophical views is that all should be seen in motion, dynamic: being - as the continuous development, the interaction of opposites, the synthesis process as a constant source of conflict between the thesis to antithesis and. Following this principle, Eisenstein also believes art is always "conflict":and its social function (as the task of art - to expose conflicts of life with a view to cause similar conflicts in their analysis, and give an emotional form of intellectual concept by dynamic collision of opposing passions, thus achieving the correct perception); and in terms of content;and its methods. "Our dominant stand between us and reality - wrote Uhtomskiy.- General coloring under which draws us to the world and the people in the emergency power is determined by what our dominant and what ourselves.Quiet and very balanced armchair scientist, quite satisfying in its isolation, the world is portrayed as calm for harmonic or, better yet, as a crystal in his infinite peace, and people will probably annoying and ignorant busybody that exist in order to break this coveted peace.Businessman, anyway - scientific or stock in advance sees the world and history only specifically provided an environment for operations ... Scientist scholastic warehouse, which can not escape from the one imposed on them theories, by the way, or out of place will pop his favorite point of view and distort the facts it live in their particular significance. "What I learned about conceived and unrealized works Hutsieva also revealed his "favorite point of view."He remained a even the most bizarre stories - for example, in the eccentric comedy about a man falls at different times, in the supposed one time adaptation of "Ninety-third" in the funny and sad film story about schoolchildren of Tbilisi last war years ...And even when talking about screen updates colleagues, and here at the breadth of his sight, when critical words of caution leading vsetaki was it - find someone else's experience in the echo of what busy himself.The operator suddenly slipped phrase that he is able to stay in an interesting way old, antique things, about the composer - he has a strong vein of stylization. And then I can not help showing himself, he would begin to ask where you can get acquainted with Prokofiev's sketches for "Eugene Onegin" at Tairova. In his youth Hutsiev not dream about the movie.Painted, sculpted, arranged performances on the balcony for the whole court, even sang in different voices. No clubs, courses, no systematic study of art.By doing after school in the art school, was surprised to find on the exam that you can paint movie download and mix not only on canvas, but also on special doschechkepalitre.