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Fairy tales of the Viennese wood
But at the same time the theater can reveal the full depth of the tragedy, and the full extent of the fall of the human soul, the fate of a small Russian people, which are fused together the laughter and tears, trickery and humor, simplicity and the bitterness of loneliness. It is this aspect of behavior rasshpoevskogo we were interested in.First of all, in the face of Elias show he gained a large and wise artist, whose work as it embodies the great tradition of the Russian school of acting.It's easy to slide into the path of execution Rasplyueva komikovaniya rampant, it is very obvious and tempting decoys scattered in the text, and situations, it is very greedy audience to laugh at every opportunity. The higher and more responsible task the artist in search of serious heart and truth of human behavior.Not all of us failed in this way; rasplyuevskogo drama of existence sometimes is even more ruthless and joyless. One of the secondary figures in the play valet Krechinsky Fedor. When reading his monologue difficult to get rid of its similarity to Gogol's Osip.But in contrast to the image of Osip, who became almost legendary in the gallery of remarkable characters of Russian drama, Fedor almost never remembers rezonerskogo because of behavior and lack of precise position in the conflict. It was necessary first of all to solve these issues.Together with the artist Gorbatov was agreed that Fedor is not just Krechinsky servant, and his right hand in all the machinations and adventures.