The section groups films in directors. Here you will familiarize with biographies and films of outstanding directors. The director – the principal person when shooting. Into the task of the director enters to turn the scenario into a film. And success or a film dip depends on the director. It is possible to tell still that the director is the artist who writes scenarios, plots, game of actors, operation of operators and a great number of other people which are anyway involved in process of creation of cinema. The section acquaints with outstanding directors of the USSR, Russia and everything which films make gold fund of cinema. Having selected the favourite director, you receive the list of its films and can watch movies online or download films. As it was already told, the kinomusorka in a bigger measure represents films of the USSR and the Russian films therefore the section on directors as focuses attention on Soviet, Russian and directors of CIS countries. In this section of a site you will meet Igor Zajtsev, Otar Ioseliani, Leonid Gajdaj, Grigory Kozintsev, Sergey Bondarchuk, Rashid Nugmanov, Sergey Snezhkin, Roman Kachanov, Alexander Proshkin, Leonid Pchelkin, Nikolay Dostalja, Tatyana Lioznova, Stanley Kubrick, Roman Polanski, James Cameron and other remarkable masters of the film.
Without thinking, I grabbed the broom from his hands and yelled: - Why are you yelling? What does he remember? I'll now Vrezh so that you yourself will forget everything! Roger, son of a bitch! And swung at him with a broom.Oleg rushed me to run, and I, still swearing at him, trying to get his broom. We ran to the stage, made a circle and flew into the other door rehearsal hall, continuing to play started sketch. The room started laughing. Finally, I was exhausted, dropped the broom and warned Oleg: - Hedgehog once
and raised his voice - I'll kill! I went out.Behind me kept laughing and laughing loudly Efros. - Fools! What a fool! - Do not fools, Anatoly! - Someone said. - That's how you have to play, and we, as dystrophic ... A few days into my dressing room looked Efros. - Lyubshin leaves the theater, - he said. - And I do not want to give up work.To quickly read, and he'll understand. - And he put down the manuscript. This was a play by Edward Radzinsky "Continuation of Don Juan." The content of it in short as follows. Otkudato another dimension to the ground down Don Juan. He also Ovid, aka Paris, aka Casanova, he's ... Such a generalized image of the great seducer of all time.And he is looking for his servant Leporello. Finally finds and assigns a phone interview - at night on a deserted area. But no longer Leporello Leporello, and Leppo Rellot Karlovic, a business man, a photographer from the studio. A runs this studio Ivan Commander, whose beautiful wife Anna, Don Anna.Don Giovanni and Leporello meet, and former servant pretends to not know that citizen will never know or wants to know. And Don Juan necessary memories, he wants to remember his life. And also make and remember your servant. Leporello persists - he does not want to come back
and again, "there."He made himself perfectly here on earth. He is a man of action, and it is good. Yes, he's here and subordinate, but it is quite another thing! And then Don Giovanni slaps and slap reminds him that he is the servant and must obey their master and obey him.
СМОТРЕТЬ ФИЛЬМЫ ОНЛАЙН
POVOYUT ACTOR person who turns on the spot while standing, sitting or lying down, usually rotates around your body at the right angle, in a half-turn or makes a full circle.The third option is less interesting in terms of soglasovyvaniya movement. All of these can be removed dvizheniyapovoroty three of the five shooting options on the basis of the triangle to move the camera.Not difficult to understand that the internal kontrplana in combination with the parallel position of the camera is not suitable for shooting continuous movement, since excessive divergence of survey offered such a position of the camera. We study the various possibilities. .1 One-man rotation movement is divided into two plans. Both actors maintain their position.Used kontrplan camera. CASE 1 A pair of external kontrplanov can be used to shoot dvizheniyapovorota actor in the group. In the first two terms of the act pa stand face to the camera, one in front, the other a little further away. The actor, who is closer to the camera is rotated. The movement ends with the rotation in the second plane.Both actors
and maintain the same position in the frame in both plans. CASE 2 CASE 3 little moving forward on the same visual axis, use one of the most common methods of breaking the frame with dvizheniempovorotom character. Actor we see American plan in the first frame, shot in profile from the screen.Then he starts to turn his head toward us. Frame is
and interrupted and gave an approximate plan of the actor, where he finished the movement. Now he is facing the camera. Both frames are made by a visual axis, and the actor is in the same part of the frame in both plans, either in the center or in one of the three parts into which the frame can be divided.Figure 3 shows this simple method. 183 This example considers a rotation of 90 В°, of the camera at the right angle. .2 Shows two camera movement and placement in the frame, she reflects. One actor moves on stage. His approach is very simple to state. 182.4 Figures show two possible second plan, where new actors to join the already known, dominated.