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In "Shadows" boundary form two mulattos, constantly crossing it in a dual reality which merges with the film.V / yuvit this border can be only when it becomes elusive when we no longer know where it goes, the boundary between black and white, but also between the film and nefilmom: a key feature of the film is an indispensable presence outside its territory , in a break with the "proper distance";it always overflows "download the film Андрей Бенкендорф
and protected area", where he would like to keep in space and in time we will see how Godard extracts from this generalized method of image creation: where something ends where another begins, which is the border and how to see it, but be sure it across and constantly shifting.Thus, in "Male / Female" fictional characters and real interview interview actors are download the film Андрей Бенкендорф
and mixed to such an extent that it appears that they turn to each other and at the same time say to the director this method can only develop in the direction in which the camera constantly finds in characters in a sort of "before" and some "after"Coto rye and form real, even to the point where the rushes imagination. "To know who they were before they came into the frame, and who will be after ..." 1 В«France tour detour deux enfantsВ» already builds in principle the following provision: "It is up to, and after the story, or is after, history before. "Godard has repeatedly held that owes Rush, insistently stresses the fact that the image must include a "before" and "after", so as to combine the conditions necessary to create a new direct obrazavremeni, download the film Андрей Бенкендорф
and instead of getting stuck in the present tense , "as it is in bad movies."It is in these conditions download the film Андрей Бенкендорф
and associated with the occurrence of obrazavremeni, one and the same transformation undergo cinema fiction and reality cinema, and the differences between them masked, in one and the same movement descriptions are pure, pure optical and sound, the story - rigged, and stories - simulations.This expresses the process when the entire movie is nesobstvennopryamoy speech, acting within the framework of reality. Film, that is, the forger and his authority, the director and his character - or in reverse order, because they only exist in the community, giving them the opportunity to say: "We, the creators of the truth."Here it is, the third type of obrazavremeni other than download the film Андрей Бенкендорф
and discussed in the previous chapter. The previous two, in fact, concerned about the time, ie the coexistence relationship or the inside of the simultaneity of time. The third refers to the time series, connecting some "before" and some "after" in the development of, and not separating them:his irony of it is that it introduces an interval lasting between the moment the three types of common property obrazavremeni is to break with indirect representation, but also a violation of the empirical time or empirical chronological order, department "to" on "after."So, these types are interconnected and penetrate each other, but in one and the same work is the difference between their usual signs.