Film Великий мастер to look online

The viewer needs to offer pleasant plans with constant orientation that allows you to concentrate on the plot. 7 The central character of the scene should be download film Grand Master and remain in the same portion of the frame when switching from one plan to another.For this screen, most likely, separated vertically into two or three parts, which are placed in the main action actor. Plans static are done or on a to the ^ akihto parts of the, or on the entire surface. Plans for the move made by the principle.The direction of movement in two subsequent take units, in which are shot incessant of motion the actor, must be the same, otherwise the viewer will be inducted into misconception over the fact, where to moves the actor. .8 Movement rfluna the same and in the same direction, and hack in the previous frame, ruble easily track the movement of the character.But if the movement of sharply changes direction, then the viewer becomes a it is unclear where greper is directed a character. .9 When two character's look at each but other, their views directed in opposite directions.Plans sight - this is the third requirement, which should be borne in mind at the time of connection plans, when the actors appear individually or in groups. The balance of views on the screen - it always looks in the opposite direction.Two characters face to face looking in opposite directions, as shown in the figure if the actors are separate plans, the opposite direction of the views should be retained.If an actor in separate planes facing the same direction, then logically they should look at the third character or object, not to each other, as shown in. Without observance of of these rules scenes can be poor little pleasant. 10 If the actors are represented in the strife plans, their views must be in opposite directions 17.11 When the two actors are looking in the same direction, they do not pay attention to each other but in this case, is considered something of an outsider.Look in PYUTIVOPOLOZHNYE parties to achieve a static position opposite directions between the two actors is very easy, the only problem - it is to see to it that their heads were turned face to face. The physical distance between them does not matter.If one actor changes his position and turns his back on his partner, the position of a counter-view is supported by throwing periodic looks at his partner over his shoulder, with the turn of a person to it after a while. The group, consisting of three persons, one of the two is the arbiter of attention.When one of the actors says the other two look at him, if there is a shift of interest, one of the actors looks toward the new center of attention, so clearly and effectively changing the direction of the interests of the viewer. 18 .12 Actor Moves interest from A to He achieves this by turning the head from one actor to another. In the first frame.focuses on the actor A, while the second - attention to the actor we can see the actor in a careful, turns his head in one direction and then the other, as if inviting the viewer to move his interest in the A The same thing happens when we crop the each actor in a variety of plans.Interest in the scene can be broken if the actors are looking in different directions. We must direct, amplify viewer interest, and not to confuse it. 13 In the first example, the two main actresses look at the actress but the dominant foreground. In the second example looks the other way, by diverting the attention of viewers.

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Film Великий мастер
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cinema Genre
Cinema-garbage a box

exit Date on screens 00.00.0000
Quality of video DVDRip
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