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Hence the need to return to the "visual", namely the "vizualizmu" which, according to the theory Dulac, is based on five key principles:1) the transfer, by means of artistic expression of a definite movement dictated by its rhythm, and 2) the rhythm itself, and development of the movement - two sensitive and sensitive element of the underlying drama screen, and 3) the cinematographic work shall reject all foreign aesthetics and make up your own;4) cinematic action should look like life, and 5) the cinematic action should not be limited to the human person, must go beyond the display of human relations - in the realm of nature and dreams. These five points are download the film Вера Васильева
and designed to achieve a high emotional impact forces through purely visual elements.They are looking outside of the human emotions of view in all that there is visible in nature, in the non-material world, in the abstract movement. By using different techniques - ironic or sentimental - Dulac thus wants to see the "manifestation of the movement and rhythm, free of all novelistic situation."Movie, she believes, is not a narrative art."The study of various aspects of cinema aesthetics that seek its development, to a single source of expressive movement, which gives birth to the emotions, logically suggests the need for pure cinema, able to exist without the tutelage of the three other types of art, without kakihlibo subjects without playing actors.The lines, which are developed by following the rhythm, slave sensation or abstract idea that can excite, relying solely on his strength. " Born "integral cinema" download the film Вера Васильева
and called for by Dulac."Most forms in motion than artistic flair create, collect with different rhythms one image, then to align it with the other." In other words, this merger "film forms" with "Cinema of the world." This plotless film, "Eye Music", "visual symphony".What is the opinion, Dulac, should be the true form of the new art? This she wrote in the journal В«Les Cahiers du MoisВ»: В«Music accompanies dramas and poems, but is pure music, symphony. Similarly, the movie should have its own symphonic school.Realistic and narrative films can apply cinematic means, but the movie, which is understood in this way, is just a genre, not a true movie. " Denouncing the interference errors and bias, Dulac flows into other errors and prejudices.However, in the later, more orthodox works she admits that the plot and the film can be a work of art. The article В«Visibilite du cinemaВ» Dulac is trying to unite the school "pure movement" with the school through the narrative links between some common factors: sincerity and knowledge of visual в„ў.Both are the prerequisites for a truly artistic work.If the assertion is that the plot does not matter, is in dispute, in a sense, you can agree with the opposite principle that truly works of art are not based on the story as such, but on the strength of the expressive and spiritual resources available to the artist.Therefore, "no real film can not tell, just as it is impossible to tell, no work of art, be it sculpture or painting." And for a film narrative and abstract problem is the same: "to influence the viewer's eye through the series, will give an image."The limitations of the theoretical views Dulac, and hence the entire movie "vanguard" she pointed out in the work, written in 1932: "Vanguard" was a search and abstract expression of pure thought and pure technique download the film Вера Васильева
and applied subsequently to the cleanest and most humane films;this area and laid the foundations for screenwriting at the same time examine and promote all the possibilities of artistic expression inherent in the lens cameras.