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Fairy tales of the Viennese wood
WATCH THE FILM ВЕРА ВАСИЛЬЕВА ONLINE Means learning to think and what may not be thinking body recognize his ability, posture or habits. Is akin to the spirit of the movie and thought it was a body.The phrase "Give us the body" means above all the camera on a very ordinary body. The body is never in the present tense, and always has a kind of "before" and some "after", tired and waiting. Fatigue, anticipation and even despair - is the habits of the body. In this direction, no one went further than Antonioni. And his method:show the inner world through behavior - it is not the experience, but "what is left of the experiences of past", "what is after all, after all was said", this method is the need to pass through the habits and body posture This is obrazvremya, time series.Ordinary attitude is what contributes to the body of the "before" and "after", ie, the time and the "developer" of the term is the body. Body posture promotes the beginning of thought relationships over time, as with the outermost, which immeasurably from 1 Antonioni invents like neorealism "no bikes", cf. texts cited Leproonom.All that said Blanchot fatigue and waiting, is best suited to Antonioni. Dalen eksteriornogo world. Maybe fatigue is the first and last habits of the body, because it contains the right and the "before" and "after":Blanchot words relate to the fact that Antonioni shows, and it is not at all about the drama of communication, and there is immense bodily fatigue, of fatigue, expressed in the "Scream" and deliver the idea of вЂ‹вЂ‹"something indescribable," "incredible," life itself. But there is the other pole of the body, a different type of relationship between cinema, body and thought."Writing" the body, focus the mind on the body of the lens means finding a different meaning here:it is not about how to watch for ordinary body postures or hunt them down, and that the show is the body through the ceremony, take it in a glass cage or within the crystal, to impose a carnival or a masquerade, which will turn it into a grotesque body, but it will take away from the body of grace or glory, that in the endachieve no visible body. Carmelo Bene - one of the most important designers obrazakristalla: the palace of the "Turkish Lady" floating inside the image, or rather, the very image moves and trembles;reflections violently painted each other, and the flowers themselves are crystallized in the "Don Juan", a dance with a veil of the "Caprichos", which form a barrier between tissue dancer and camera.Looks haunt crystal that resembles a glance monstrances - but above all, we pay attention to the skeleton of the " Virgin" and old men from the "Caprichos" decrepit old saint of "Salome" - and they bring themselves to exhaustion in download the film Вера Васильева and confused and continuously renewable gestures and the poses, always download the film Вера Васильева and associated with difficultiesCeremony at Ben begins with a parody that affects the sounds and gestures, as gestures were also accompanied by a voice - and apraxia and aphasia are two sides of the same coin.But the will of some supreme mechanics of grotesque graceful pulled a woman's body when she dances for the elderly, or when it passes through the stylized poses secret desire, or when it freezes in a pose of ecstasy.Maybe the purpose of this - finally release the third body, the body of "protagonist" or master of ceremonies, reflected in all the other bodies?