Here is an example of the episode, in which, apparently, each installation should consist of the phrase figuratively contrasting plans.In Zola's novel "The Trap" is an episode when Kupo roofer working on a steep roof, and he was being watched from the sidewalk and Gervaise kakayato curious old lady out of the window. Old woman clearly wants to roofer fell.The idea of вЂ‹вЂ‹danger of the roofer highlights these observers, and so the same mounting rhinestones here may be connected to the roofer ridge, against the sky, in a sharp angle shot from the bottom, and the old woman, looking out the dark window, and Gervaise with a baby behind raised his head on the pavement and visible in the sharp angle at the top.In these cases, the compositional contrast shots, but united by a single action. Another example. We tell about the funeral of Lenin and in the same mounting phrase show how the very moment a funeral in the world - in Moscow, Leningrad, and in the countryside, in Paris, London, Cairo, Melbourne, etc. - for a few minutes stop traffic.Here, in one phrase the mounting can be incorporated very contrasting external features materials that have, however, the internal semantic and emotional unity.But this phrase can include installation and demonstration of those who stop this movement, not only surprised, but, perhaps, angry, angry, and even frightened of, say, the capitalist ministers, factory, etc.Showing this kind of people, too, can enter into one comprehensive mounting phrase, and so it connect frames, sharply contrasting the action, taken in different parts of the world, sharply contrasting reactions of the people, of course, not entirely dissimilar to the situation, nor about the world and still composing with a single thought in commonmounting phrase. I will dwell on the notion of mounting phrases because parsing installation piece episode should always install the structure, that is, break it down to the complex structure of a number of simpler pieces, that is mounting phrases.Frames, final assembly sentence, not just a transitional step to the further development of the action, but they have to create a sense of compositional perfection itself phrase. This is even more true of the staff, was a big assembly episode.Shakespeare is a great scene in blank verse, without rhyme, but the last two lines in the scene it usually rhymes. This immediately creates a sense of a point of completion of the episode.Similarly, in the second Eisenstein series "Ivan the Terrible" is a series of episodes in acute diagonal building frames, but the last frame or the last two to three frames he usually builds frontally, creating the sensation points, ending the episode.In the practical study of mounting, serious attention be paid to the rhythmic organization of material within the assembly of phrases and scenes in general. Watch the film Вера Васильева online
. Rhythmic elements play a huge role in the assembly and must be taken into account when shooting. Here is a good example of rhythmic organization of material intended for installation.Storm of Corfu from the second series of "Ushakov" filmed in BelgorodDnestrovskoy fortress.