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First impressions are rarely unfounded. In the plot of the film "Rashomon" theme investigation used to create intense action, just as it is used by Hitchcock in his movies.Although the Japanese film can not be a mystery with the disclosure of the truth of the facts, it is still built in the form of the detective story, dedicated to the discovery of hidden material evidence. Therefore, image frames playing in it is extremely important. Oddly enough, we did not get bored almost 365 complete repetition of the same events;on the contrary, our eyes glued to the screen in a persistent desire to see all the differences and similarities between successive versions of the drama. Something, perhaps, be able to detect the expression of the face! It would not have to miss kakuyunibud important, though small, detail!When the woodcutter, for which the camera follows on the heels, slowly walks through the forest, we're looking to tighten and this is devoid of events scene with concentration, it is hardly possible in cases where the purpose of such a scene is to ensure that it gave some cinematic in effect , a theatrical film.As physical evidence, all these frames download the film Вера Васильева
and retain their inherent uncertainty of meaning, they force us to examine its contents, and we take them rather as elements of a thorough investigation, rather than as a particle with a preconceived narrative of meaning schemes and ideological center.Inquiry itself resembles research in that it has no end. And it confirms the feeling of infinity cinematic themes criminal investigation.(As rightly pointed Rudolf Arnheim, "Rashomon" more cinematic and because the development of his story download the film Вера Васильева
and reflected specific cameras ability to see the object from different points of view) The reader may wonder whether the clouds are not hobby investigation process a high idea of вЂ‹вЂ‹the film "Rashomon "?But no matter what the idea, the film strongly emphasized the importance of disclosure, the viewer is clearly given to understand that the film does not reach its goal, if his interest will not go beyond the literal reconstruction of the circumstances of the crime.As soon as the screen goes one version after another, the viewer, are increasingly convinced striking contradictions between them, unwittingly aware that every attempt to obtain reliable witnesses in vain because of the personal qualities and character actors of the events.Thus, the idea of вЂ‹вЂ‹the viewer is directed to the truths that are not related to the true facts. Look online
. Now imagine for a moment that the truth and did not have to reveal the contents of the detective story;they are central to the content of the movie from the beginning and therefore determined the selection and order of 366 frames, just like the truth, which is trying to illustrate Jean Cocteau frames of his film "The blood of the poet." In that case, they would have been imposed on the film, but they are not expressed.Similarly, "Rashomon" would be in the sense kakomto significant artistic achievement, but not be perceived as a work of cinema, created by its own means of expression.