FILM ВОЕННАЯ ТАЙНА 009
"The perception, thinking, language, act in such a way - he explains. - Whether it is to think becoming, or express it, or even to perceive, we do nothing more than give a kind of internal action cinema.Summarizing the foregoing, we can thus say that the mechanism of our everyday understanding of the nature of cinematic "This provision of French philosopher was of fundamental importance for the development kinomysli.It is the depth of the relationship between human consciousness and the movie camera and allowed to draw an analogy between film and language. Reality, getting on the film, in this case was not just a mechanical replica of itself, but the product of a particular treatment, related to the work of the imagination.In "Matter and Memory" Bergson download the film Военная тайна 009
and pointed out that the mere articulation of reality on stationary phases have work of imagination:"The division is the work of imagination, whose function is just comes down to capturing moving images of our everyday experience, as if under the influence of an instantaneous flash of lightning illuminating the night stormy scene" Romantic imagination finally connects with a mechanical reproduction.Emil Vyuyermoz, was strongly download the film Военная тайна 009
and influenced by Bergson and refer to it in his articles claimed that the movie is "the fifth art" just because the eyes in it "cuts the space and captures the time inimitable images he captures on the fly, capturing forever the one elusive moment when the nature of genius, "ThisVyuyermoz not only download the film Военная тайна 009
and referred to the "Matter and Memory", but clearly had in mind the image of Bergson with lightning and thunder, a romantic by nature. In the same article Vyuyermoz writes a phrase download the film Военная тайна 009
and repeated many times in the future French theorists: "Landscape - a state of mind."American film critic Richard Abel rightly sees it as an echo of Bergson's philosophy Vyuyermoz was one of the first theorists to start talking about the transformation of the "silent" nature "talking." The main instrument of this transformation he download the film Военная тайна 009
and believed the camera, have a strange mechanical equivalent of consciousness.The camera, in his opinion, can transform the body of actors in the "astral body" It becomes a real tool almost mystical revelation:"The taste for reality must expand to faith in religion things, to open their souls to the vision of a secret pantheism inspires the greatest painters and sculptors of the" head of research department "DeklaBioskop" background Dungern own way summed up the essence of Bergson kinopanteizma: "What is the nature of the film?
FILM ВОЕННАЯ ТАЙНА 009
Many.But in reality, it should be all ... . For us, nature is the foundation of facts, it is in front of us, incredible stuff that we now only learn to see, to see the really ... .We must show no scientific method of studying nature, but should allow a person to experience the very existence of a meaningful nature of the great moments of life, and we were on ... . These points belong to the original, dramatic, and, consequently, "filmic" ....The main theme of nature, including the nature of the screen, called evolution ..., creative evolution, as Bergson says, "It is essential that the background Dungern calls to change the position of the viewer on the outside of his immersion in nature," the experience of its existence.