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Fairy tales of the Viennese wood
LOOK ONLINE It is enshrined in the material relations automatism "object - a film." The resultant truth kills a plot.To the cinema was plot, there had to be the ability to release behavior of the hero of his automatism depending on the behavior of the object being photographed. If the installation and camera movement spawned cinematic language, the MГ©liГЁs fantasy and trick photography spawned kinosyuzhet.They will connect kinoochevidnost, visible reality of the frame with the freedom of the automaticity of everyday life, gave cinema the opportunity to put the hero in the situation, not possible in the object being photographed, made a sequence and combination of plot episodes act of artistic choice, not an automatic power technology.After the installation has been put into the film world, they do not necessarily have to use it, it can be waived also became a means of artistic language. After the film was able to show with certainty any fiction reality of it could already refuse:simple thing "slavish" following the events of life becomes an act of choice, that is, art can carry information.Kinosyuzhsta specificity in that it covers not only visual signs have plums, resembling the knizhkukartinku, splint or comic book, but a story, the connection elements is perceived as a very reliable: we.believe that the artist had no choice, it was determined by life itself - and at the same time the same story gives such broad situational choice, so many options, which do not have any other art.If the increase in the number of options, of which the artist chooses his decision, leading to unprecedented growth informative text, the faith that tells us the option has indisputable truth enhances value characteristics of information it is known that the amount of information and its value does not match automatically.Value depends on an exhaustive measures of uncertainty: if I find out that they had made an event that could not happen in one of two, and one of the ten possible ways informative posts sharply. 0dnako value of information that can not be determined: in a nice restaurant, I choose one of dozens of dishes, answering the question:"Life or death?" - I choose one of the two. In the first case, I get a lot more information in binary terms, but in the second - it has a much greater value. The specifics of the plot in the movie makes it the most informative, and most value-comparison with the other arts.This covers some of the features of the narrative structure of cinema.A deeper solution to these problems, seems to depend on the general theory of narrative structures, which are equally encompasses the syntactic construction in linguistics theory narrative cinema, music, and narrative painting jet tours, both as a mechanism for describing the structures syuzhetnopovestvovatelnyhfiction.
LOOK ONLINE Models the world cinema. The main characteristics of the world belong to space and time. Relation to the characteristics of the object prostranstvennovremennoy prostranstvennovremennoy nature model largely determines its essence, and its cognitive value.Educational value of the model increases as the freedom of the artist in the choice of modeling tools.If the translation category of the objective world into the language of a literary text is determined by the act of creation, not automatism situation, code, or any other pre-given and therefore entirely predictable system, the content in a model increases dramatically.So naturally, the artist strives for freedom from the automatism of reflection parameters prostranstvennovremennyh world cinema.