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Western filmmakers could not be saved from this impasse, because they did not want to portray the people of the images and do papemashe revolutionaries paper:Comolli imennoblagodarya this condition becomes a real political director, when taken as the object of a double failure: and form a group, and do not form a group, "You can not hide in the group and the inability to be download the film Джон Майкл МакДонах
and satisfied with this," 'On Leno Brocca, how he uses myths and its film pulses Wed:В«CinematographeВ», no. 77, avril 1982. 2 On the criticism of myth in Perrault СЃСЂ.: Gauthier Guy, В«Une ecriture du reelВ», as well as' Trudel Suzanne, В«La quete du royaume, trois hommes, trois paroles, un langageВ», in: В«Ecritures de Pierre PerraultВ», Edilig. Suzanne Tryudel distinguishes three impasse logical genealogy, ethnic, and political.3 Jean-Louis Comolli, entretien, В«Cahiers du cinemaВ», no. 333, mars' Gilles Deleuze KinoObrazvremya 542 543 if the people do not have, if there is no more consciousness, or evolution, or revolution, it becomes impossible scheme itself coup. Will never be the conquest of power by the proletariat no, no unified or download the film Джон Майкл МакДонах
and united people.The best directors of the Third World while still able to believe the opposite: such gevarizm Roche 'naserizm Shahin, blekpauerizm Negro film school, but precisely because of this aspect of the download the film Джон Майкл МакДонах
and mentioned directors are still involved in the classical concept, because the transition from it to the new is always slow, imperceptible, and it can not be clearly traced.Dying consciousness came just because of the fact that now the awareness has not belong to one, and always a few people, and always had an infinite number of people that should merge or, more likely, given the change in the problem, should not merge.Thanks to this film was the Third World cinema minorities, because the people that only exists in a state of minority: potomuto its not. And just in the private affairs of minorities are immediately political.Merger or general union of peoples took place, - and then the modern political cinema, fearing turning against the people of tyranny, which has become a fusion that has developed around this national fragmentation and blast fragments. Here is his third feature.In the early 80-ies of the Negro Film USA returns to the life in the ghetto "on this side" of consciousness, and, instead of replacing the negative image of African-American positive multiplies types and the "characters", each time creating or recreating a small part Accordingly, the relevant action is not cohesive, andfragmentary states of emotions or impulses, which are expressed in a pure vision or sound: the special nature of Black film now defined a new form, "a struggle that must rely on themselves a means of combating" A different way - a method of composition Arab director Shaheen in the film "Alexandria, Why?" Mixed multiple storylines, the author stated at the outset - and one of them is central, and the others follow to the intersection with her;in the film as "Memory" is no longer the main line, and the story moves on numerous threads that lead to heart attack from the author, it sounded like a trial and the verdict itself, - a sort of "Why me?", but internal artery thus are in direct contact with the external lines.