film by John Michael McDonagh
gives a pleasing composition cut above the hips. Figure 6 retail vertical: - extremely close-up - close-up - the American plan - a plan medium - Plan of the line of the knee. gives a picture of sections 15 to 14 cinema screens - a fixed surface.If one actor appeared on the left side of the screen "full up", it shall be on the same side, eslYa even mounted an enlarged plan.If this rule is static pla ^ and is not observed, appear on the screen unpleasant noticeable interframe jumping, and the public, rather than to follow the adventures of the protagonist is forced to Watch Online
and distractions from one sector but other screen, that is both troublesome and unpleasant.The viewer must offer pleasant plans with constant orientation that allows you to concentrate on the story,. 7 scene central character should remain in one and the same side of the frame at the transition from one plane to another.For this screen, most likely, separated vertically into two or three parts, which are located in the main current actors. Plans are made static or k akihto parts or the entire surface. Plans in motion made by that principle.The direction of movement in the next two takes, which starred actor incessant movement, must be the same, otherwise the audience will be misled about what goes where actor. .8 Movement rfluna the same and in the same direction, and hack in the previous frame, ruble easily track the movement of the character.But if the movement abruptly changes direction, the viewer becomes unclear where greper directed character. .9 When two characters look at each other but their views are directed in opposite directions.Plans sight - this is the third requirement, which need to be borne in mind at the time of connection plans, when the actors appear individually or in groups. Balance of views on the screen - it always looks in opposite directions.Two characters face to face looking in opposite directions, as shown in the figure if the actors are separate plans, views the opposite direction should be maintained.If the actors in separate planes facing the same direction, then logically they should look at the third character or object, not to each other, as shown. Without complying with the rules of the scene may be poor little pleasant. 10 If the actors are presented in the strife plans, their views must be in opposite directions 17.11 When the two actors look in one direction, they do not pay attention to each other but in this case, is considered something of an outsider.
film by John Michael McDonagh
Looking into PYUTIVOPOLOZHNYE parties to achieve a static position opposite to the direction of gaze between the two actors is very simple, the only task - is to see to it that their heads were turned to face . The physical distance between them does not matter.If one actor changes his position and turns his back on his partner, the position of a counter-view is supported by throwing periodic looks at his partner over his shoulder, with a turn to face it after a while.