film Gold Rush South America
In modern lighting equipment, this effect is simple for the operator. Why hast nothing was forty years ago. Kuznetsov directed two thin coal, built in asbestos eyes flashed Yanov.At times, the embers began to flicker, film Gold Rush South America watch online
and off, smoke and burn your fingers. At such moments, in turn, and I continued to turn the handle unit, began to hiss Kuznetsov: "Light, light on the eyes!"Yes, Levitsky everywhere emphasizes the priority of the director in all searches and accomplishments. Of course, referring to the large producers."Yakov said that he would like to join the action as an experiment and an inscription in one frame and remove the whole story does not separate plans, then wiring, as well as a continuous action in one clip ... In addition, Yakov offered simultaneously connect multiple different activities in one shot. ""We were all keen on the set of" Nobility nest. " At the insistence of all the participants of the film curtains in the morning wore suits of the last century, and so it went to them until the evening ... All this, taken together, create a wonderful atmosphere of genuine artistic creation, which I first felt the really, removing the "Noble Nest".And this was the main merit of the film director Vladimir Gardin. " "I have repeatedly pointed out that each new scene was shot where Meyerhold explained it to me was kind of lecture. She is interested in deep thought, reveals the particular character actors, their inner world, determined the rhythm of the staging.Much of what the rehearsals said Meyerhold, I wrote ... ". It would seem that there is nothing surprising and there is nothing to confirm as indisputable truth extensive quotations. But yet again, this truth - that deep, responsible way, which puts it in the author quotes data - one of the most valuable achievements practice Levitsky.And therefore particularly want it film Gold Rush South America watch online
and noted. But back to the beginning. Biography Levitsky well with biographies of Russian cinema: clearly confirms the most characteristic facts. That represented an ancestor of the modern operator?What has been his involvement in the shooting process? A time when such a profession at all but it was - the director and cameraman were combined in one person - this time to the beginning of 10-ies widely held. But it was not without a trace. Preserved a certain conventionality of the operator.He was an apprentice chemto like the director - voiceless figure in all that concerned the creation.
film Gold Rush South America
This went on for quite some time. In 1918, introducing the reader to "creators of negativity", "Kinogazeta" wrote:"The same man who turns the handle unit, resulting in wasted film is called" operator ". Operators are good and bad. Good - those who shoot abroad, and poor - those who shoot at us ... The Art of operators is in its infancy and therefore difficult to describe. "Replenished the ranks of operators easier, of course, than the directors. There was almost no aliens with unexpected professions.