Two creative method - the method of Eisenstein and Pudovkin - were summarized by the latter in one of his article in 1929, later included in the collection В«Film FormВ», as follows:"Before me lay a crumpled piece of download the film киндзадза
and yellowed paper. It mysterious note: "Clutch - P" and "Clash - E". This is a real fight on the next hot topic of mounting between E - I and II - Pudovkin ... At regular intervals of time he comes to me late at night, and we swear in private to the principal theme. So there.Coming Kuleshov school, he vigorously defended the understanding of how the clutch assembly pieces. In the circuit. "Building blocks." Bricks series outlining the idea. I am opposed to it its views as installation of a collision. The point where the collision of two givens of a thought. Clutch is only possible - is a special case in my interpretation. " Eisenstein was more than all the other Russian film theorists, download the film киндзадза
and looked in the picture and mounting means that may lead the viewer through emotions thinking mind. It is worthwhile to quote some excerpts from the speech download the film киндзадза
and Eisenstein at the Sorbonne in Paris, February 17, 1930, which was published in "La Revue du Cinema" in the same month, "...many successful work in this direction, we have found a way to implement the basic requirement of our art, namely download the film киндзадза
and Eisenstein, Selected Works, Vol II,, stvo ", 1964, page but - purely descriptive means to express abstract ideas, so to speak, sharpen them, and to do so without resorting to the plot or to the intrigue.With a combination of graphic means we managed to cause the reaction, which we've achieved ... A series of frames selected in a certain way, - he continued - is certain ideas.There is a danger of falling into the symbolism, but do not forget that the film - it's the only concrete art, which, in contrast to the music that is both dynamic and forces to think. All other forms of art because of their static nature can only respond to the idea and can not develop it. "This task is to awaken thought, according to Eisenstein, can only be done cinematography: "... it will be a historic contribution to the art of our time, because in our time there was a terrible dualism between thought, purely philosophical speculation, and a feeling, an emotion.In former times, during the rule of magic and religion, science was both an emotional element and the element that is entirely absorbed people. Now there was a division, and now there are speculative philosophy, pure abstraction and pure emotion.We must return to the past, but not to the primitivism, which was based on religion, and to the synthesis of emotional and spiritual elements.
I think that only a movie can achieve this synthesis, re-clothe the spiritual element in the form of emotional and not abstract, but concrete and vital. "At the conference of workers of Soviet cinema, which took place in Moscow in January 1935, download the film киндзадза
and Eisenstein, speaking of his "intellectual cinema", said-'lyal following:"What was the" intellectual cinema ", which I have to say, because it is referred to as a kind of norm, allegedly retained some relevance and shoot down a number of people for such work?