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Static actor can stand in the center of the circle described by the moving actor, at the edge of it, or outside the circle.Figure 39 shows some examples of circular motion for plans of this type. Also widely used triangular scheme. Figure 40 shows the simplest example of such use.Triangular movement is more impressive, if the actors are moving alternately along the path in a triangle in front of the camera or pan the camera in motion. f \ Rice, Various circular motion. Fixed the actor is at the center of a circle, with the edge, the outside of the circle. .40 Scheme triangular movement actor.547 546 CHAPTER 26, moving from one to another to Yuna of dialogue scenes with groups of people who are over kakogoto time in the same part of the set, all the variations of visual emphasis, providing variety to the scene, achieved only with a manual installation based on the principle of the triangle.But if the actors move from one side to the other, the growing sense of reality scenes, and the relationship between them is download the film мио мой мио
and determined by the terms of their bodies, distance, position in the frame, and so change the zones not only helps diversify the background, visible for the actors, but also provides opportunity to change the director mounting scheme.The viewer should be aware that, what tools were used to recreate the scene on the screen. These techniques and formulas that can be repeated many times, but the fact that they apply to different actors and in different situations, masks their sameness or similarity.Thus, one of the most complex cinematic issues - shooting static scenes of dialogue - can be solved by using these methods and formulas, and, in a very natural and pleasing to the perception of fashion. Scene with an active action, the events are easy to reproduce in a movie.But static dialogue, despite the fact that he is extremely important for reproduction on the screen, so complex that even has a tendency to destroy all of the properties of such a mode of expression, which is the film. Manual assembly in combination with a change of zones solves this problem.A basic principle of change in the area, the group can move from one zone to another, distributed in different zones, or to jump from multiple zones in a single, common area. There are an infinite number of sites that can be used.But sometimes it is sufficient to use three of the five, with each of the sites can be used several times, if required by the development of the plot. The movement should be motivated chemto. The most natural movement motif enclosed in the dialogue.The most effective movement - this is the one that is the result of the emotions of the speaker or the listener. Film мио мой мио
. 549 If there is an emotional reason for the movement, the reason must be purely practical. The examples we offer here, show the scene with the two actors.But if it is a larger group, all subject to the same rules, with the only difference being that there are new possibilities of combinations of frames.