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Fairy tales of the Viennese wood
WATCH THE FILM ОНИ СРАЖАЛИСЬ ЗА РОДИНУ IN EXCELLENT QUALITY ONLINE The fact is that everyone has seen in the work of Flaherty, only that he was close, often something definite and unambiguous, denying or rejecting the rest.More natural, of course, the reverse of these single-component synthesis of a whole, complex, unique, what we call "cinema Flaherty."In this sense, I think, those judgments and perceptions, opinions and judgments, memories and evidence that suggests this collection - allow the Soviet reader in sufficient detail to understand amazing phenomenon Flaherty. So who is he - Robert Flaherty? Raised pristine wilderness of Michigan and northern Canada, where he often went with his father, download the film они сражались за родину and untouched traditions and customs of the local Aboriginal people, open, naive, honest, and four times in his youth crossed the Arctic Circle in the search expeditions, a scientist and a hunter, explorer and Arctic explorer He remainedbrilliant film fans, capable of creating movies only when it was granted him joy.And joy was granted to him that all his life in his films "built the house of my childhood," where nothing disturbed the harmony of man and nature, even their eternal agony - a cruel but beautiful, is an amazing unity of the forces of nature and the irresistible human spirit. Outside of this nature was not Robert Flaherty.This is his eternal "amateurism" - amateurism directly - from the word "love," for what he did not like, do not feel, do not feel like a part of myself, just could not be the subject of his interest, his art and his work.And even in the "Industrial Britain" he was looking for something that is eternally and pristine - the element of creativity, inherent in the nature of man, as laid down by nature eternal springtime renewal of the earth ... And in the film "Earth," he was looking for - painful and sore, - that violated the harmony of nature and man, and found another culprit, besides cars.He was too fond of the person too much faith in him to look guilty in man, in human society. He was looking for the root of evil anywhere, just not there.Sociable, charming, kind, Flaherty himself was the embodiment of purity, honesty and generosity personified the qualities that he had always sought and found in his characters - Nanook, Moana, Kohlmann King, a boy from a distant Louisiana. Flaherty could not admit to his world evil, violence and disharmony.He seemed to put a "taboo" to all horrible, ugly, cruel and ugly, like the mere mention of it could cause harm, and the silence of it can save the world from it. Human creed Flaherty simply and whole: the right to exist is only what is noble and beautiful in life and on screen.Whether it was the naivety Flaherty, why it is often said? No, Flaherty was not naive. His friends and associates - Richard Griffith, John Grierson, Helen van Dongen - talk about Flaherty as a human observation, insight, deep. Interestingly in this sense memories Helen van Dongen.She says that when she was working on installing the "Land", Flaherty led the endless talk about poverty, misery, grief, war.