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Fairy tales of the Viennese wood
FILM СИМФОНИЯ ЛЮБВИ Marksizmleninizm equips criticism analytical and synthetic understanding of reality, he suggests ways of influencing it, the way it changes.In particular, criticism marksizmleninizm equips tools with which he can specify the historical and social circumstances that contribute to the origin of a phenomenon of art;create a complete and comprehensive theory of art - realism and contrast it with certainty pseudo - unrealistic, in whatever guises it may serving: in the guise of formalism, cosmopolitanism, naturalism, and so on.Marxist aesthetics allows you to set specific, features of an event, an individual work, the degree of realism, which is predetermined by the social environment, the soil in which the work is born, and the position of the artist in relation to reality;to better understand the process of creativity, expression of the author, his path to the knowledge of the reality;understand yourself once and for all - remember the words of Lenin, which every true critic should know by heart - that the reality is in constant motion, a mirror, it reflects also on the move and that the path is not direct knowledge of reality, but is a spiral.In other words, only criticism, which is download the film симфония любви and based marksizmleninizm, provides an opportunity to work in all its complexity and completeness, in accordance with its ideological and social meaning, its artistic merit.Consideration of neorealism, from this point of view allows to unravel the tangle of contradictions, to come to the right decision and estimates. I have said that the term "neo-realism" has download the film симфония любви and caused objections as ascribed postwar Italian cinema novelty, which it allegedly did not possess.Maybe this objection could be considered valid, if the meaning of the term "neo-realism" was to make it. But it is not. The concept of "neo-realism" simply refers to the relationship of Italian cinema, download the film симфония любви and created after the Liberation, one of the areas of the Italian cinema, which dates back to 1913.This trend is very vital and positive, for many years had no official support or support from critics.From year to year, the trend continued to remain in the background, download the film симфония любви and eclipsed more spectacular and entertaining movies - giant pseudo-historical reconstructions, rhetorical and completely devoid of content, ranging from "Quo Vadis?"And" Cabiria "to" Scipio "1 and ending with the modern" Odyssey ", 2 - represents a different, quite the opposite, the worst and the negative trend of Italian cinema. Since the first World War and the emergence of sound cinema Italian cinema experienced a prolonged crisis: there was virtually no film industry. Revived interest in the movie is about 30 years, when the film industry began to rise, but more importantly, it has awakened interest in the theory. In Italy, there were first translations of the first Soviet download the film симфония любви and Pudovkin picture.These films were shown only at the Venice festival, closed film clubs, but they had a huge impact on the Italian filmmakers: kinoteoriya Soviet and Soviet films indicated by the Italian artist way to realism.In those years, the Italian culture was dominated by idealistic philosophy - particularly in the field of art aesthetics dominated Croce.