FILM СИМФОНИЯ ЛЮБВИ
Television, for example, imposes very strict requirements on PiBiEs or BBC for the 30-minute "window" download the film симфония любви
and required film lasting about 28 minutes, 30 seconds, to allow time for announcements.Almost all TV documentaries are in the show, because the audience begin to regularly watch, apparently, only in the case when a download the film симфония любви
and certain time every week starts to be download the film симфония любви
and associated with certain types of films. That's why professional movies often financed packages and joint production.If your movie should be shown on commercial television, it must be divided into parts for about 5 minutes with the so- called natural breaks for commercials. The length and structure of the film is determined by its purpose.Educational films are usually 10ili 20-minute, on television also used 30 -, 40, 60 & 90-minute window. Short informative films are infinitely more likely to be download the film симфония любви
and accepted anywhere else.Diagnostic questions you deal with the draft of the movie, so you want to formulate your own predominant feeling. To estimate the likely reaction of the audience, after the first viewing, ask yourself the following questions: Does the film leaves a sense of dramatic balance?For example, if in the middle of the film is a thrilling and exciting episode, the remaining part of the film may seem boring and frustrating. Or it may seem that the film long walks in circles before something really starts to happen. When you have had a clear sense that the plot develops, and when it was not?It helps to find a delay in the development of the film and makes analyze what they are called. What parts of the film seem to be quite dynamic, and which are tight, and why? Which actors are most download the film симфония любви
and attracted your attention and which the least? Some may be more appropriate, or simply look better on film than others.In a sufficient degree of alternate different types of material? Or the same type of material is in a row of indigestible quantities? Where you'll have a successful contrasts and comparisons. Do I have to add? Diversity is as important to the story, as well as in food. Does the viewer too much or too little explanatory information?Sometimes the episode "does not work" because it does not have been properly prepared soil, or it is not enough contrast in mood from the previous scene. Is it possible to give more exposure later? Too big or too early exposure reduces the degree of concentration in the viewer, eliminating the suspense.What metaphorical allusions contained in your material? Can I do to make more of them? They provide an opportunity to reflect your own values вЂ‹вЂ‹and beliefs. Metaphorical fullness is as important to your story, as a pond to pasture.What to do with poor material After watching mounted film memorable, make a list of the material. Film симфония любви
. Then look through the list of episodes, compiled during installation on a paper that you do not remember. Human memory is quite purposefully discards what is not considered important.You do not remember all these wonderful places, because they turned out badly, though, and looked great on paper.