Film ФЕНТЕЗИ БОЕВИК 2013 to look online

Character is inseparable from some "before" and some of the "after", but such as it brings together, going from the first state to the second.He becomes the "other" when he begins to dream, is not to indulge in fantasy. Director, on the other hand, it has also become the "other", when in the same way gives the word a real person, and they replace it with a crowd fiction own invention. Director and character communicate with each other, inventing his own people.I gave slovoAleksisu {"Kingdom of the day") and the entire Quebec, to know what I am, "because to say about me, it is enough to call on them," This is a simulation of the story, the legend and its metamorphosis, it just nesobstvennopryamaya Quebec, it gradually turns of the two- headed in Thousand.And then the movie gets to be called Kino, the more that it destroys all of the true model, becoming creative, producing the truth: it is not the cinema of truth, and the truth of cinema. This is exactly meant by Jean Rouch, when he spoke of "Kino".Just as Perry started with reportazheyissledovany, Rush began with ethnographic films. The evolution of these directors can not be download the film ФЕНТЕЗИ БОЕВИК 2013 and criticized on one truth, and respect, the function of fantasy and how it overcomes the real and the fake, the role and the need for "patron" of the most important text - a conversation with Renee Allo Perry:В«Ecritures de Pierre PerraultВ». Edilig, p. 54k this text, you can add all the analysis ZhanDanielya Lafont, entitled В»L'ombre d'un douteВ», where the film is download the film ФЕНТЕЗИ БОЕВИК 2013 and described as the art of Perrault "hypocrisy": his characters "are fictional, though it does not exist, belonging to the realm of fiction."understood on the basis of only one reference to the inaccessibility of the "raw" reality, the fact that the camera has an impact on the situation and the characters react to the presence of the camera, they knew everything, and it almost did not bother Flaherty and Leacock, who saw here only lzheproblemy. In a Rush, like Perrault, innovation has other origins.It begins to articulate a Rush in "Bezumnyhhozyaevah" when the characters involved in the ritual, obsessed, drunken, foaming at the mouth, entering a trance first show in their everyday reality, where they work as waiters in cafes, diggers and laborers - these so they will once again after the ceremony. And that's what they were before ...Conversely, in "Yanegr" real characters shown through their fictional roles, Dorothy Lamour - little whore, Lemmy Cochin - Treychvilla of unemployed, even if later they themselves have to comment and correct to assume the function. "The "Jaguar" three characters, and especially the "boyfriend", share the role of contributing to their clash with the realities of travel, as the potency of the legend: fetishists are meeting with the organization of work, manufacturing of gold bars, which are then locked up and never use , alternately visit a big market;Finally, the creation of a small trading company with the motto, replacing ^ ready formula figure capable compose the legend: "gradually builds himself a birdie ... bonnet. " And, like the old, they go back to his land, full of deeds and wrong, so that the slightest incident potency contains false.In one of the character is there always a transition from one state to another, as in the episode, when an American lion hunter calls or when travelers from the movie "doodle, Mr. Chicken" meets Devil.If you dwell on these masterpieces, then, first of all, we can see that the character has ceased to be both real and fictional, because of the fact that the camera is no longer see it objectively, and he stopped to look at the world subjectively:is a character who conquers mountain passes and across borders, because, being a real person, he has the buoy ^ nym imagination - and the more he invents, the more real it becomes.



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Film ФЕНТЕЗИ БОЕВИК 2013
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