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He corresponded with Zheme with French actors and so on and so forth, and he from all trying to restore. In this system, it combines a number of searches, a number of inventions made by others.To date, we must assume that it is the only system because it is the only one who worked on the theory that plague us: questions of the director and actor, staging issues, etc.So if you take the two books - "My Life in Art," and the last book - it's enough to note that the most focal points of our work went in there.When I have met in recent months with Stanislavski, he greedily absorb what else could I say to him, what he did not know - but he knew there was no question that I touched on and which he did not know that he would not turn in its own way, because even though he completely different experience, but it is download the film футфетиш
and absorbed.And, of course, terribly sorry that this great man had died prematurely. Property, remaining after his death - is, perhaps, not researched material, outline, draft, note books, but we have great wealth, download the film футфетиш
and based on which we can get a new one.I was in a meeting of young people download the film футфетиш
and acted and spoke, but we have to repeat once again that the best way to get this stuff first hand. We still have these young people who walk with their heads held high, such zaznayki who say, "Why, I have heard that he said it," - and I did not say anything like that.They provide for our what we were never told not offer. So you keep these two books and check on them that young people, who claims to be a student of download the film футфетиш
and Konstantin Sergeyevich. Young man spent three months and felt that he had mastered the system. Stanislavski himself did not like these.Hence, the system Stanislavski, as I said - it's not just what he thought, but there is a lot of what we did on the art of other comrades - Vladimir NemirovichDanchenko, and Vakhtangov, and I'm a sinner.Stanislavski was very pleased when I download the film футфетиш
and learned that I do now, especially the problem of the imagination, working in the field of motion. I believe that tumbling as training, obya470 necessarily, but he can not carry on the training stage and show how some political component staging.Sometimes it is necessary, as a blow, but there are elements of the training, you do not want to drag on the scene. What was founded early work remarkable director Sergei Eisenstein?
He would take up the measure reason for his directorial work of the play, when he staged the play by Ostrovsky, what was left of horns and spoons.My "Forest" seemed completely naive product download the film футфетиш
and compared to what he did. But I think that he should do it. He was tormented kakayato different problem, he had to do it, but a shame that we do experiments in public.It would be good if there was such a closed laboratory, where we, directors, could work with accompanying lectures, as in the Planetarium: show star and the man comes out and talks. And then a man came out and said that it must be used here, but this is not necessary. Experiments need to do and tell:it is possible, and this is impossible, but it should work out to a small dose of wet for three seconds during the performance, which lasts several hours.