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Movie brings us face to face with what we usually dread.Often it provokes us to comparison realnozhiznennyh events displayed on the screen, with our usual ideas about them. Medusa head. From the curriculum, we know the Greek myth of GorgoneMeduze, Maiden with protruding teeth and a protruding tongue, the mere sight of a horrible face that people and animals were turned to stone.Therefore, Athena, Perseus inciting to kill Medusa, warned him that he did not look the monster in the face, but only a reflection of a donated her shield.The advice of Athena, Perseus cut off the head of Medusa with a sickle, which he gave Hermes moral of this myth is, of course, is that we do not see the horrors and can not look at them because we are paralyzed by fear of the blind, to learn the terrible appearance, we must at the image, which is an exact reproduction.This image has nothing to do with the interpretation of unprecedented horror inspired by the artist, it has the character of a mirror reflection. But of all the existing means of expression only reflects the nature of film, as in a mirror.Therefore, only the movies can show us a picture of the spectacle, which would lead us into a stupor, bring us face it in real life. Movie screen is polished shield Athens. However, this is not all, as the myth tells us GorgoneMeduze.He also suggests to us that the images on the screen or on the shield are the only means of achieving full of purpose, they should give the viewer the opportunity, or if understood broadly, and cause it to decapitate the issues contained in the monster. Many horror films about war are often aimed at that. Whether it is download the film 4 luni
and achieved?The myth beheading GorgonyMeduzy not put the end of her strength. Athena pod383 weighed her terrible head to his chest armor to terrify the enemy. Perseus, who saw only the reflection of the monster, could not destroy it. So, the question is whether it is necessary to look at some open shots horror intentions or vague goals.Remember the "Animal blood," a documentary film by Georges Franju about Parisian slaughterhouses: a pool of blood spilling on the floor, when there is a methodical slaughter of horses and cows, mechanical saws cut up still life Teplyaev animal carcasses, and the unfathomable frame cattle heads, composition.reminiscent of the rural idyll, breathing peace geometric ornament. It would be absurd to think that these unbearably scary video to preach vegetarianism, but can hardly be seen in them, and the intention to satisfy some secret attraction to spectacle killing living beings. Mirror images of horror are an end in themselves.As such, they lead us to see and to carry in his memory the real face of too badly, so we can make such a spectacle in nature. 3 saptamani si 2 zile
. When we see, and therefore perceive the experience ranks calf's head or a pile of corpses of victims of the camps;destruction in the movies about the atrocities of fascism, we are breaking away from these horrors covers our panic and impressionable imagination, does not allow us to look at them.