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Fairy tales of the Viennese wood
LOOK ONLINE Stanislavsky then turned to all of us: - So work on all elements. That should be our teaching methods. For us it was a clear creative lesson. I remember it for life. And because myto before thought to build classes like this:theory first and then practice. The lesson, however, showed the opposite - the main thing in our profession, practice, practice creative. I am very grateful to Konstantin Sergeyevich, that he gave me and my friends on the threshold of educational activities immediately sent in the right direction, clearly showing the basics techniques of acting school.Stanislavski repeatedly emphasized that only the most careful study of all the elements of the system in practice will help to approach the unconscious creativity.In order to prove that only the subconscious creativity can achieve the best results in art, Stanislavski cites a case that originated with the famous Rachel, who download the film 4 luni and worked in the tradition of school performance. At one of the rehearsals, she played so that all of us were crying as she was.But when the actress wanted to repeat acted scene, it did not work: she forgot what she was doing, and no one could tell her that. Then, at the rehearsal, it works intuitively, subconsciously.- All that we are studying - continues Stanislavski - it's just one-tenth of the system, it is still a system with a small letter is to go to the remaining nine-tenths, to a system with a capital letter, the subconscious creativity. All this, and the system with a small letter is needed for a system with a capital letter.The elements are decoys, decoy each can bring to the likelihood of feelings and true passion. Likelihood of feelings - it's up to the threshold, and a true passion - this is after the threshold. To be on the threshold, it is necessary to bring yourself to the subconscious.Here you come to the ocean, only one wave you dipped your feet, then another download the film 4 luni and washed over you knee, finally, the third wave takes you back into the ocean and washed ashore. That is - the moments of intuitive creativity. There are times when you make some piece action that you are warmed up, but as you have done, you do not know.That was the moment of the subconscious. Here, for example, as happened in Yermolova. In one of the performances of her character was download the film 4 luni and poisoned. 52 And at the time of her death in the audience began to dull noise. He amplified. The audience download the film 4 luni and jumped up, shouting, many rushed to the footlights.Everyone was convinced that Ermolov and actually decided to commit suicide in front of the audience.
WATCH THE FILM 4 LUNI But it is, of course, was perfectly healthy. And just a whole act in a state of creative ecstasy, as if bathed in the ocean of the unconscious. Play a show, having trichetyre such moment - it is very good.However, to achieve such things can only be mastered to perfection all the internal and external elements of acting. And this requires a large and systematic work. - Oh, how rare - claimed Stanislavski - in the theater, and as even the most talented actor chtonibud itself is done!