FILM ADAM'S RIB
At the moment, we demand from the eye more than he can give us. The eyes of most people are not yet ripe for a movie ... ".The idea of вЂ‹вЂ‹gradual maturation, development of niche cinema sensitivity was extremely popular. The same Hans pointed out that our senses as it is filtered to us the world through their prism, with each art can be likened to a certain filter that passes only through itself a range of phenomena and sensations.Hans movie role was limited to some degree to the development of new filtering device. One of the leading critics of the popular magazine " Sinemagazin" Juan Arrua generally download the film Adam's Rib
and likened artists beings with highly specialized sensitivity.In "Life on the screen and real life," where he download the film Adam's Rib
and tried to find out there is a distinction between the world of reality and the world of cinema, he, in particular, wrote:"The painter sees mainly the color of the musician sees rhythm, sculptor - correlation of parts, a novelist - a thousand meaningful, original and beautiful parts sinegrafist - fotogenicheskie volumes, the opposition of black and white, the differences in the appearance of movement, relief."However, the compilation Arrua list items that match "sinegraficheskoy sensitivity" is not unequivocally accepted by his peers. Approaches to the identification of "purely cinematic emotions" were different.One of the most original film scholars of the late 20's, now forgotten Manaras Agos, in his essay "The cinematic emotion and other" also follows the concept of specialization sensitivities.He believed that the silent film draws from a wide range of their own reality, visual elements, leaving out a lot of its sphere of influence of other components. The arrival of sound in cinema Manarasa forced to raise the question: can there be in the film synthesis of different sensitivities.Manaras believes that art is one of the sensitivity always leading. In the movie, it is visually and the sound may be only a minor addition. In life events, according to the theorist, rarely as evident in sound and image. One dominates the other.Dominant sound is sure to make the image appendage, possibly aggravating the perception and probably destroying the structural unity of the work. By Manarasu, aesthetic emotion in the film is composed of three kinds of emotions: 1) representative, 2) affective and 3) emotions form.The first two species are found in the life of a third - is specific to the film and connected with the rhythm and the properties of moving pictures. The film is all three kinds of emotions, but in different works dominate different types.
FILM ADAM'S RIB
Psychology Manarasa movie based on the concept of the whole psychological dominant and subordinate elements.Another attempt to characterize the cinematic sensibility can be found in the work of Pierre bestow "Visual emotion." For gifted "criteria of originality of art can only be download the film Adam's Rib
and created by the originality of his emotions."Theorist defines the emotion as "visual touch" that is, the possibility of direct sensory contact with the thing.