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- I have a young man of sound "r" was not, - he said, - and the "c" was stupid.Every day I was engaged in correcting these sounds on the instructions received from the teacher. The results were clear. It is important to monitor their pronunciation, not only in the classroom.Correct and complete address must be entered into your daily life, make it a habit, a second nature, and then you will not have to divert their attention to diction at the time of stage presentation. Paying tribute to the consonant sounds in speech, acting, Stanislavski talked about vowels, that is the life of speech, speech breathing.- The two main instruments of verbal expressiveness - stress and intonation - like Stanislavski - 123 appear only in vowels. Vowel has two securities: properties: elasticity and the ability to raise and lower. These properties and creates a tone, the word chiaroscuro paints, which lifts it above the monotony.The flexibility of the voice, its range, we can determine only by vowels. STUDY OF THE LAWS OF SPEECH One of the most important parts of the future actors of the word Stanislavski considered the study of the laws of speech. They teach speech and intelligent reading. With the help of these laws are learned: melody of speech, accents, pauses, rhythm and logical perspective.- There are the lucky ones - said Stanislavski - who, without learning to feel the nature of the language and speak correctly by intuition. But such units. The vast majority of people say awful. Therefore, it is necessary to study the laws of speech ... And not just learn the rules. On up to these laws to heal us.It is important to feel your tongue, each sentence, the word ... Then it will be your right as if by itself. Model speaker, fluent in speech, Stanislavski believed famous lawyer Plevako: - He had to get by in life especially spoke - it was really music.His speech was in a hurry, not one sentence does not crumple. His emotionality uniquely blends with clarity, precision and expressive speech. Every word he gave to get by "good." Such ownership of their speech must seek each.The first and main point of reference in a logical reading of the actor, said Stanislavski, is a punctuation mark, standing in the author's text. Each of these signs is to influence the phonetic pattern preceding and subsequent sentences or parts.- You do not have commas, - said Konstantin Sergeyevich, listening to one of the studies read the Studio literary passages. - You do not like places, afraid of her, in a hurry to jump through it to quickly finish. But it is on her to-point, you can force the viewer to listen to yourself.When a comma is required sound "bend" up, and if you own this technique, if properly constructed intonation in this place, you can be sure that the listener will be hard to wait for the end of your sentence. Look online
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and continued Stanislavsky.