At times there is a feeling that Stanislavsky contradicts himself.So, at the beginning of the chapter Stanislavsky answers the question, how to create a physical representation of the external role, it would seem, quite clearly and distinctly.He remembers one of his successful works - as Dr. Stockman, Stanislavsky, on behalf Tortsov explains students that often "external objectification and specificity created image born of themselves properly create internal storage of the soul ...Only installed the correct storage of the soul as, proper internal characteristic, woven of the same items collected, out of nowhere by themselves appeared nervous impetuosity Shtokman raznoboynaya gait, neck stretched forward and two fingers of the hands and other typical course of action. "If such a happy appearance of being born "self" does not happen, then there is every professional actor, or even a number of techniques, as the Stanislavsky "tricks" that can be used in the search for appearance and style, revealing the character created.With these "tricks" is sought specific plastics, gait, voice, diction, selected the desired make-up, details of costume, props, etc.These bright, original dash appearance of different people should be able to observe in life, to find a beautiful and literary portraits, they need to master, easy to know how to use and store in the creative closet. Master willingly shows his students some of these "tricks":lameness, stooping, diction, and other defects, but the disciples suddenly download the film Adios gringo
and noticed a strange and very significant feature. He, apparently, only shows one of the fun "tricks" of foreign typical:tucks inside the upper lip, to do as one of his friend the Englishman, "short upper lip, very long, bunny front teeth ...".But at the same time, although the teacher continues to give the necessary explanations to students and share with them your thoughts, change - and the students immediately incriminate him in this strange - and his voice, and the eyes, and the whole attitude, and hands ...And the teacher, "deep into yourself and listening to what he was going on inside," is forced to admit that "in his psychology, the will, there was imperceptible shift" that "even we changed his individual style, although his thoughts were genuine, real. " He is also aware that to understand the causes of this strange phenomenon it is difficult ...And then, in the same chapter tells a very interesting episode with the Studio Nazvanovym, which a number of random, seemingly purely external leads unexpectedly finds himself to the creation of an interesting character of a "critique."The fact that the teacher has the Studio to arrange a "masquerade" in which everyone with make-up and costume would create any "external image and hid behind it," ie, all of the Studio ponders what character he would like to implement, and looking for a property room in the wardrobe, and the theater is necessary.Only one Nazvanovu nothing comes to mind, and he went to the dressing room, not knowing to whom and what costume he needed.