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Fairy tales of the Viennese wood
All the film wants Lola In short, what we call the reading of the visual image, is a stratigraphic condition, reversing the image inside out, act corresponding perception, constantly transforming void in fullness, and the front side - in the wrong side.Read the means to re-build the circuit, instead of simply stringing a chain; it means "rotate and perelitsovyvat" rather than to follow the front side: here is a new way of Analytics. Without a doubt, from the very beginning of the sound film visual image becomes readable "as such".But it happened due to the fact that we, as an accessory or dependency of sound film, allowed to see something in this manner and was very visible.Eisenstein created the notion of being read as an image in relation to the music, but here the meaning is still lay in the fact that the music made it possible to see something, imposing sight irreversible orientation. Now, in the second stage of sound film, things are different.On the contrary, because of the fact that it is no longer audible to show and be seen, because it becomes independent of the visual image, visual image, in turn, allows for a new interpretation of the things done to archaeological or rather stratigraphic cut, which should read:"Speeches to the rock not touch" - said in the movie "From the Clouds to the Resistance."A "dog Fortini" ZhanKlod Bonn analyzes "large central gap", "telluric, geological and geophysical" sequence without words, "landscape it is intended to be read, for the place description fights, empty theater of hostilities" in the visual image in " Read », a new meaning, while the speech act itselfitself becomes an autonomous sound manner. Often pointed out that modern cinema - some obrazomblizhe to dumb than to sound at its first stage:not only because sometimes it re-enters the titles, but also because it works some of the means of silent films, making injections written elements into visual images (in terms notebooks, letter1 Wed .: D an e y on. 305, p . Also in connection with the film "Moses and Aaron" - Inter View, Straub and Huillet this Bontanu, Bonittseru and Daneyu on.258, juillet 1975, p. 2 Bonnet Jean-Cla ude. «Troiscineastesdutexte». «Cinematographe», no. 31, octobre 1977, p. 3. E and - at Straub constantly - tombstone inscriptions or inscriptions on stone, "plaques, monuments dead tablichkamis street names ...") However, to compare current cinema with a mute to a greater extent than with the first stage of the sound, kovogo inappropriate. For a silent movie, we were present at the two types of images, one of which is visible, and the other - to read, or if the two elements of the same image.And now the visual image to be read as a whole, as titles and letters injections are only dotted certain stratigraphic layer or bind variables in the interval between the layers, the transition from one layer to another word, in modern cinema readability of the visual image, "duty" to read this image is no longerkakomuto refer to specific elements, as well as to the global impact of the speech act in the visible image. The point here is that the speech act took place elsewhere and gained autonomy, whose archeology and stratigraphy, in turn, shows a visual image - t. E. He is reading, regarding it as a whole, and only him.