FILM ASTERIX AND OBELIX: MISSION CLEOPATRA
The third section - "Visible Man", is dedicated to the most big and phenomenological aspects of the early German-thought. The presentation here is a much more systematic.Such a "disproportionate" amount of systematic and large due to the fact that the German kinomysl 10-20 years almost completely unknown in our country. We are convinced that most of the names with which the reader will meet in this section are unknown even hearsay.Meanwhile, in our opinion, the German-language kinomysl this period - one of the richest and potentially important. That its representatives made the greatest contribution to the study of the fundamental problem of physicality on the screen. In conclusion, it should make some unavoidable in our conditions of reservations.Writing of this book, of course, requires long in finding the libraries of different countries as well as domestic stacks do not have the necessary amount of material on the subject. The author was unable to work for long periods in foreign libraries.Some materials were discovered during his short trips to Hungary, France and the school, but these materials are, of course, have not been able to fill in many important gaps.Invaluable help in the work, for example, over the German-language material, he had two excellent anthology of early German kinomysli issued Anton Kesom and Fritz Gyuttingerom. The only justification in this case can be a fact that the author did not attempt to be exhaustive of the material.After all, the main purpose of these fragmentary sketches, as has been said, is the desire to share with the readers of the values вЂ‹вЂ‹which were opened to the author in the process, the desire to stimulate new theoretical research in the areas of cinema, which are believed to be currently the most promising.July 6 Chapter 1 Conspiracy NATURE: MECHANICAL REPRODUCTION AND ART IN aesthetically film is the brainchild of the XIX century, the culmination of the trends in the artistic life, which took shape in the late XVIII and XIX centuries.Recognition for cinema aesthetic advantages have contributed significantly to the romantic "revolution" and the opening of artists self-sufficient significance outside world.To the cinema could be elevated to the rank of art, it was important to recognize the artistic value of the objective external world commit, to rethink the old concept of "mimesis" in the context of fixing optikohimicheskoy reality which is at the basis of photographs and movies.Opening of the self-sufficient value of the external world in European art is closely related to changes in relationship to nature. The transformation of nature in art is an independent object, in particular, through the re-evaluation of the role of landscape in art. Film Asterix and Obelix: Mission Cleopatra
. XVIII century knows two distinct types of landscape - the so-download the film Asterix and Obelix: Mission Cleopatra
and called.landscape painting and topographical paintings. First enjoy a relatively high prestige and went back to his poetics creativity Claude Lorraine. It is focused on creating imaginary historical or mythological landscapes, serves as a place of action for the allegorical, mythological and historical scenes.In the XIX century from traditional landscape painting emerged School theater artists.