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It seems that this movie is truly intended. Bazin wrote, cinematic image contrasted image of the theater is that it moves from outside to inside, from the decor to the character, the nature of man So, the more he is able to demonstrate the human response to nature, or exteriorization person.Sublime inherent sensorimotor unity of nature and man, so that nature should be called indifferent.Already it expresses emotional or metaphorical song, for example, in "Battleship" Potemkin "," where the three elements - water, earth and air - a harmonious show mourning for the loss of life of nature, whereas the reaction of the person exteriorized in the development of the fourth element, fire, conferring Nature new quality in a revolutionary combustionBut a person acquires a new quality, a collective entity's response, while Nature is transformed into objective human relations. Mysldeystvie posits both the unity of man and nature, and the unity of the individual and the masses: the cinema because mass art.Just through this Eisenstein justifies the primacy of installation: the movie is not the subject is an individual, and the object - the intrigue and history, the object film - nature and subject - the mass, the individuation of the masses and not the individual. That which unsuccessfully sought to theater, particularly opera, was achieved in the cinema: movies got to the individuality, that is,individuation to the masses as such, rather than see it as a qualitative homogeneity and take her to the quantitative divisibility more interesting to note as Eisenstein responded to his criticism of the Stalinists.His uprekaliv that he did not catch the really dramatic element myslideystviya, for what he portrayed sensorimotor connection from the outside and very generally, without disclosing its origin in the characters. Criticism was immediately and ideological, and technical and political:download the film Beyond Rangoon
and Eisenstein allegedly stuck on an idealistic conception of Nature, replaces his "history", the concept, outlet dominant place installation and overwhelmingly, or plan, to the abstract concept of mass, to obscure hero endowed with personal consciousness. Eisenstein understands what is at stake, and utterly self-critical, one admired Tolstoy Eisenstein for what they knew how to Rowan image formation, combining into one the way they think and feel about the characters themselves, and what she thinks about them author: hence the "criminal" hugs Anna Kare Nina and Vronsky.At this time the "compositional principle" is expressed not in education se, as its echo, but directly in the image: В«Le film: sa forme, son sensВ», p. 182 - And yet it does not seem that he Eisenstein created images of this kind. Watch the film Beyond Rangoon in excellent quality online
. Uses rather, the first means, resonance or echo. In this it is like Renoir.L'Herbier same On the contrary, the composition reaches an internal character with striking images of rape in the movie "Man of the high seas": Rape as a homicide. 2 In a z i n В«Qu 'est-ce que le cinema?В». Ed. du Cerf, p. 156 - 1 Eisenstein.