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Fairy tales of the Viennese wood
WATCH THE FILM BINGO BONGO ONLINE At first began hiring facilities for the studio.Huge role in this was played by Vladimir Ivanovich, who, being at that time the sole director of the theater with unlimited powers, his power allowed for studio credit, and in the summer on purpose came from the village to find her room.To avoid unnecessary at first expansion, he made only one big and with her two small rooms on the top floor of the house on Tverskaya.By a strange coincidence, these rooms was once lived Komissarzhevskaya itself, and they were part of a large area of вЂ‹вЂ‹the former Society of Arts and Letters, in which I began my acting career. The small size of the room we needed, not only for economic reasons, but also for С…СѓРґРѕР¶РµСЃС‚РІРµРЅРЅРѕРїРµРґР°РіРѕРіРёС‡РµСЃРєРёРј.Practice has shown us that a student with a fledgling creative will, feeling, temperament, technique, voice, diction, and so on. should not be the first time unnecessary download the film Bingo Bongo and strain yourself to not get unwanted dislocation and strain. Large scene requires more than can give a novice artist, she rapes.For the first time the young artist to a small room, stronger artistic problems, modest demands, download the film Bingo Bongo and located spectator. Let the young artist did not even bother to vote not strong, temperament and technique.Let the size of the theater did not make it to inflate your sense, the nerves to pull or push it out to "tear a passion to pieces" in favor of a large crowd.Let the young artist studio is constantly under the supervision of their supervisor and get after each performance of his corrections and clarifications that make public appearances in a practical lesson.Eventually, when the mental and physical abilities get stronger actor, after he download the film Bingo Bongo and played a role play in a studio tens or hundreds of times, we can not risk and danger to translate it to the stage in the first mock, and later in his new role.In this new stage of development, it is very important to play with experienced actors, stand with them at some stage, to talk to them in front of a large crowd, with them to try to answer the big questions of aesthetics. I myself once knew this favor by playing with big artistes Fedotova, Yermolova Sadowski, Strepetova etc.Having become the artist of the Moscow Art Theatre, the former has become a mainstay studiets elderly, their deputies, and, eventually, a shareholder of the case, which was then handed over to us in full ownership of the artists.But, going into the main theater, studio pet should not break with it, because in his spare time, he can deal with it, and as an actor and as a director, teacher or the experimenter conducting the trial and its findings.Artistic and administrative leadership studio Sulerzhitskii took over, and I gave him directions. In the new studio together all who wish to study for my "system." I started reading them a full training course as he was drawn me then.Unfortunately, I could not devote much time to study the new studio, but I worked hard for Sulerzhitskii which, according to my instructions, producing all sorts of exercises in creative being, to analyze the role, drawing on volitional scores on the basis of consistency and logic sense .Concurrently with rehearsing for a public performance piece "The death of" Hope.