Potentially, in New York there are so many good audience. Unfortunately, they rarely go to the theater.They rarely go to the theater, because ticket prices are prohibitive. They could afford the expense, but stops them fear of another disappointment. NyuYork not accidentally considered the city's most powerful and harsh critics in the world.For many years, the audience NyuYorka unwittingly contribute to making ordinary people prone to errors, for expensive experts because.like collectors who buy expensive paintings, they are afraid to take risks alone-tradition specific professional connoisseurs of art, such as Dyuvin7, now firmly established among those who comes to the box office. Closed Circle;when the defenders need not only artists, but also the audience, most inquisitive "smart n independent people no longer interested in the theater. This situation is not unique to New York. I ran about the same difficulties when we played "Dance of Sergeant Masgrenva" John Arden in the theater "Athenaeum" in Paris.It was a real failure: we are cursed in almost all reviews, and actors played literally in an empty room. We were sure that Paris is the audience who would love to see this show, and download the film Bohachi bushido: Poruno jidaigeki
and announced that they will give three free performances. Tempted to get gratis ticket was so great that the ordinary performances became tumultuous premiere.Crowds of people rushed to the theater, the police had to block the lobby of iron bars, performances were great, because the actors warmed by the viewer's attention, playing better than ever, and the audience in response to reward them with thunderous applause.Theatre, on the eve of like chilly morgue, during the first free presentation rang and buzzed with success. When the play was over, we were given the full light and saw its audience. They were mostly young men, well dressed in suits and ties. FranГ§oise Spira, director of our theater, came on the scene.7 OEF Deauville-connoisseur, known art dealer. - Is there any living creature in this room who are not able to buy tickets to the theater? One of those present raised their hand. - And all the rest, why are you waiting for free play? - The newspapers had a bad review ... - Do you believe the newspapers? A loud chorus of voices: - No! - So why ...On all sides poured the same answer: I do not want to risk it, do not want to be deceived. This creates a vicious circle. Inanimate theater strongly urges own funeral. Look online
. But it is possible to approach this problem differently. If good theater can only be good for the audience, each audience has the theater, which it deserves.Although the audience probably would have been very frustrating to know that they have, as the audience have certain responsibilities. What practical conclusions they might make of this? What it will be a sad day when people come to the theater from a sense of duty. Once in the theater, the audience can not force myself to be better than they really are.In the sense of the audience kakomto nothing can.