Film Broken Vows
We can see only their silhouettes among old trees. However, the figure of the photographer as often presented as part of the further plans of the overall environment. On the idyllic atmosphere prevails, harmony and naturalness.With increasing dramatic tension of the scene director, respectively resort to zoom. She noticed uninvited observer rushes to photographs in order to require a negative. Her image as it approaches series "manifested" becoming more and more clear and precise:from vague outlines in the background for a portrait in full length on the general, and then to a further refinement in the middle, and finally, in the climax, we can see her face in close-ups. The climax scene is replaced by a surge voltage reduction in the frame due to consecutive interpreting zoom to general and further plans:figure of the girl removed, dissolved in a quiet, majestic landscape of the old English park. An example of a different property - the scene in hairdressing salon from the film "Death in Venice", the decision solely on the change of large and super-large plans.The entire assembly sequence is the process of converting helpful barber face Professor von Ashenbaha from weary, slightly confused to artificially "vzbodrennogo" uncomplicated makeup.At the same time the director begins and closes closeup of the head of the hero extended legato plastic covering a series of parts - chin, eyebrows, eyes, lips background Ashenbaha.The combination of visual pattern to create complex melodic ornament contradictory character of the internal sense, woven from temptation, hope, curiosity, self-irony, fatigue, humility.His true face of the living, soft "fragmented" by the mega plans and consistently vualiruemoe layers of paint, symbolizing the complete helplessness, emotional fragility Ashenbaha background. Another example - the scene in Aleksandrova Sloboda from the film "Ivan the Terrible" Eisenstein.The episode begins in the imperial palace, where the throne of Ivan the Terrible toils in anticipation of messengers from Moscow. But instead of them to bow to the king endless procession moves on snow-covered plain people. Triumph of Ivan the Terrible handed director at the climax scene with incredible plastic expression.The composition is based on the diagonal and powerful contrast: in the lower left corner of the frame is represented by a winding panoramic scale "popular river", and on the top right corner hangs profile of Ivan the Terrible.This clash of counterpoint in a single long-distance intra-composition and details of the plan provides the basis for modulation konkretnosobytiynogo level in a symbolic space of the event: it's not so much the profile of Ivan the Terrible, as all-seeing eye, looks down from heaven on his flock. Film Broken Vows
.Cinema plan is inseparable from the angle - another major means of plastic expressiveness frame. Angle - the angle of view of the camera at the subject. Perspective helps orientation in the viewer event-space, identifying the position of the imaging camera.