Animation Karate Western Crime Extreme Documentary Drama Tragicomedy Cyberpunk Sports Suspense Black comedy Fantasy Thriller History Horror Eastern Tragedy Parody Erotica Family, children's Military Anti-Utopia Action Fairy tales Detective Scientifically popular Adventures Melodrama Performance Accident Biography Musical Fantastic Comedy Mysticism
Fairy tales of the Viennese wood
WATCH THE FILM CHAMPION ONLINE It was a time of triumph. Abominations that he denounced, were already exposed, exposed to all for show, and now it was about to talk about them in more detail to confirm their exposure documents.Overall, it was a question to accomplish the lesson. This is how the film "Payza" Roberto Rossellini, in which aesthetic position taken earlier by Luchino Visconti, was strictly carried through and cleaned of any useless admiration.The last remnants of the formal frills, past picturesque weakness, which - as it showed the film "La Terra Trema" - has played an important role in the director " obsessed" with indisputable determination were rude and cynical cast Roberto Rossellini.Neorealism reached its peak, what are, in a sense was also - and above all - top polemical. In fact, it is impossible to understand the neo-realism, if not to consider it in terms of a certain human, social, and aesthetic debate, and in this respect neorealism is important:This does not mean to belittle it, but just to comprehend it, just as we learn all artistic phenomena in the ideological and poetic atmosphere that gave rise to them and the capital.It happened the same way that neorealism koekto took for a new word to be taken in an absolute sense, as a phenomenon, whose mission - to shake the very foundations of film language and build a film under the new grammatical and linguistic rules. That's just there to argue about neorealism irretrievably gone down the wrong path.Require that all movies on the inherent nature was neorealist, and argue that it is impossible to create a film that would not be a neo-realist, like the requirement that can not be a sculpture, but to a baroque or neo-classical, that poetry can only be Hermetic or knight.Neorealism - a phenomenon in cinema, but not all of cinema. And this phenomenon has value and meaning only for those who really feel the atmosphere in a great era.neorealism is born, only for those who have at heart, this atmosphere is poetic echo, only for those who did - because the inner conviction and mandatory artist - controversy waged neorealism, sole and immutable laws of creation.But not all oshuschayut this debate, not everyone wants to give her his hand, not all are inspired by the peculiar world as the world is characteristic of neo-realism. For those artists who have a different temperament, different roots, different style, different aesthetics, obviously, the other should be the law of creation.This law is consistent with their world view, their understanding of the specificity of cinema, their manner of perception and artistic expression - that is our law, it is equally valid in artistic terms, and to be discussed only in terms of aesthetic results - more or less - which thanks to him can achieve.Who does not feel the soul of the deep motives that caused the birth of neo-realism, as an artist who does not live in its climate, but still want to create the products that echo his motives, that, obviously, does not rise to a true poetic creation, but simply engaged in a deliberate stylization that is repeatedcertain style, like an echo responds to controversy, it is not sharing the deep inner logic.