History Documentary Tragedy Drama Performance Fantastic Action Fairy tales Scientifically popular Black comedy Comedy Biography Adventures Horror Sports Detective Anti-Utopia Family, children's Western Tragicomedy Erotica Eastern Military Karate Parody Musical Crime Animation Melodrama Thriller Cyberpunk Fantasy Accident Suspense Mysticism Extreme
Fairy tales of the Viennese wood
WATCH THE FILM CHAMPION IN EXCELLENT QUALITY ONLINE Therefore, the full range of sensual shock covers, raising us to the images to the level of conscious thought - Azat and figurative thinking, which sums us back to the images and returns us to the emotional shock.Promote co-existence of the first and second, to combine the highest level of consciousness and the deepest level of the unconscious: such is the dialectical machine.The whole does not cease to be open, but it is precisely in order to internalize the sequence of images, as well as to exteriorize in this sequence. The whole set forms a kind of knowledge on the Hegelian way, and it integrates knowledge of the image with the concept of how the two towards each other motion.There is a third point, no less manifest in the previous two. It is not from the image to the concept, and the concept of the image and identity of the concept and the image: the concept as such is given in the image, and the image itself - in concept. This is not the organic and pathetic and dramatic, pragmatic, practice, or mysldeystvie.This mysldeystvie denotes man's relationship with the world, man and nature; sensorimotor unity which, however, is raised to the highest degree. It seems that this movie is truly intended.download the film Champion and Bazin wrote, cinematic image contrasted image of the theater is that it moves from outside to inside, from the decor to the character, the nature of man So, the more he is able to demonstrate the human response to nature, or exteriorization person.Sublime inherent sensorimotor unity of nature and man, so that nature should be called indifferent.Already it expresses emotional or metaphorical song, for example, in "Battleship" Potemkin "," where the three elements - water, earth and air - a harmonious show mourning for the loss of life of nature, whereas the reaction of the person exteriorized in the development of the fourth element, fire, conferring Nature new quality in a revolutionary combustionBut a person acquires a new quality, a collective entity's response, while Nature is transformed into objective human relations. Mysldeystvie posits both the unity of man and nature, and the unity of the individual and the masses: the cinema because mass art.Just through this Eisenstein justifies the primacy of installation: the movie is not the subject is an individual, and the object - the intrigue and history, the object film - nature and subject - the mass, the individuation of the masses and not the individual. That which unsuccessfully sought to theater, particularly opera, was achieved in the cinema: movies got to the individuality, that is,individuation to the masses as such, rather than see it as a qualitative homogeneity and take her to the quantitative divisibility more interesting to note as Eisenstein responded to his criticism of the Stalinists.His uprekaliv that he did not catch the really dramatic element myslideystviya, for what he portrayed sensorimotor connection from the outside and very generally, without disclosing its origin in the characters.