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"Without any compensation from the summer we take arable land and forests. In Russia, now the Soviets Lenin - Senior Commissioner. " And then again to return to the closed interior of the house of the miller - new kink space.At the beginning of the work on the poem I imagined except chairs kakieto symbolic objects - say, white female scarf and coachman whip or whip ... I came up with it quite spectacular application, but it was somehow outside the text, there additionally, for greater emotion, and its and so Yesenin missing.As a result, I gave up on all the attributes - scarf, whips, canes, hats. I have repeatedly urged that the objects on the stage should be the absolute minimum. Necessary requisite fasting - that it stimulates the imagination.If movie download Witch hip hop
and provide a complete set of all mentioned in the text, it will be necessary and in theatrical costume and scenery.Trying to eliminate the convention, allowing excessive literalism in detail, we will be forced further and further move towards a "normal" theater, visual perception and then require the full range of theatrical means, and above all - partners and dramatic action in the usual forms.Working on the "Crocodile" by Dostoevsky, I first imagined this story as a one man show. In the imagination of the beginning looked like. On stage covered, the really decorated table. Leaves man in a suit of the nineteenth century, hand-bell ringing, as if heralding the beginning. The lights go out in the hall.A man sits at the table, lays a napkin into his collar and taken there. Ponastoyashemu, delicious, juicy. Long and silently. Only occasionally glancing at the room satisfied. Facilities should be brought to the shock and embarrassment, and perhaps even to indignation. Then the artist again rings the bell for silence.Wipes his mouth with a napkin and starts, picking his teeth, telling a terrible story about how a few days ago his friend ate a crocodile at the zoo and how he, the narrator, is going through. Seemed to me that the incredible contrast, plunges into the content of the story and trembling ravnodushnoobydennogo behavior of the narrator can be scary and funny.The first tests showed that the idea is doomed. DINING prelude, an abundance of objects themselves were not without interest, but killed wit and hyperbole Dostoevsky. I realized that trying to substitute for the author. I gave up on his plan. When I first read "The Crocodile:"To a large audience, I appeared before the audience in a modern suit. From the covered table there was only one plate with an orange.
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But in the hands was still a bell.After pyatishesti concerts to hear the reaction of the audience, finding a large plastic precision in the image of the narrator, and swallowed Vinogradov and his wife, Helena's charming and very giant crocodile, I trusted Dostoevsky wit more than his inventions, and gave up everything.On the stage were a chair, my favorite two chairs, this time depicting the barrier before "croco" cell, and a handkerchief.