FILM DELTA FORCE 2: THE COLOMBIAN CONNECTION
In the idle it creates people lies a complex internal action.Czechs best proved that stage action must be understood in the internal sense, and that it alone, purified from all psevdostsenicheskogo can build and found a dramatic works in the theater. While the external action on stage amuses, entertains and excites nerves, internal infects, captures our soul and possesses it.Of course, even better, both, ie, both internal and external actions are closely fused together, are present. From this work only wins in the fullness and scenic. But it is certainly an internal action must come first.That's why they are mistaken who plays in Chekhov's plays most of their plot, gliding over the surface, playing roles external images, rather than creating internal images and inner life. Chekhov interesting warehouse souls of his people. Mistake to do in Chekhov's plays are trying to play, to represent. In his plays have to be, that is,live, to exist, going on deep inside the main inherent spiritual arteries. Here Chekhov strong very diverse, often unconscious methods of exposure. Sometimes it impressionist, symbolist elsewhere where you realist, sometimes almost naturalist.Evening, the moon rising, two people man and woman being transferred almost meaningless phrases testifying except that they say not what they feel. Far play the piano waltz vulgar tavern, which makes us think about the poverty of the spirit, of philistinism, of kabotinstve environment.And then suddenly scream rises from the depths of the heart suffering lover girl. And then just one short phrase, exclamation: "I can not ... I can not ... I can not ..." The whole scene says nothing formal, but it excites abyss associations, memories, restless feelings.But hopelessly in love with a young man lay at the feet of his beloved pointless, nothing to do, download the film Delta Force 2: The Colombian Connection
and killed the beautiful white seagull. This is a great symbol of life. Or the appearance of dull prose master himself to his wife with the same phrase, which he, throughout the play, hews her patience: "Let's go home ... a baby crying ..."This is realism. Then suddenly, shocking scene with vulgar abuse materikabotinki idealistomsynom. Almost naturalism. And at the end: an autumn evening, the sound of raindrops on the glass windows, the silence, playing cards, and in the distance a sad waltz by Chopin, and then he stopped. Then he shot ... life is over. This is impressionism.Czechs, as no one knows how to select and transmit the human sentiments, sandwiching their scenes in sharp contrast to the nature of everyday life and pour glitter its pure humor. And all this he does, not only as an artist with a delicate taste, but as a man who knows the secret of power over the hearts of artists and audiences.Imperceptibly transferring them from one mood to another, it leads people kudato along. Look online
. Experiencing each of these sentiments alone, you feel on the ground, in the midst of a familiar, small commonplace, from which rises in the soul of a great yearning, seeking a way out.But then Chekhov seamlessly attaches us to the dream, indicating the only way out, and we are anxious to be carried away for her, along with the poet.