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Fairy tales of the Viennese wood
LOOK ONLINE Wanting to help the beginner, it offers me a wonderful fabric for incredibly low price. I'll cut and sew. Gabriella Doors dressed by the best tailors, apparently, she does not trust my talent costume.At her request, I was download the film Design of death and called by Robert Piguet and kindly offered to help. What luck! I refer him to their models. As for the scenery, poverty forces me to be creative. We rehearse. Fearing to be influenced by Jean Cocteau, I ask him not to come to rehearsal.But I can not take a step without asking ourselves what would he would have said. I remember what he was talking about the great actors playing these roles. In the end, in spite of himself, I do as he desires. My pride of twenty young boy refuses to admit the truth. I think I manage a. I run.I need this blindness to believe in themselves. Yes! I prove that I am a real comedian. I organize all staging around Nero. I'm throwing all the way to the big red curtain and red dresses Agrippina paled next to the red color of my costume.I invented a new kind of komediantstva, deftly using their outputs, with the hope that the public will be grateful to me for it. I do not think that any living creature of the actors could not do without this komediantstva.Also, I deny that I am the creator of costumes, scenery and download the film Design of death and directed the play in spite of tradition theater association director favor to the author. As a result, decided that was directed by Jean Cocteau. Set, costume applause, my elaborate outputs - a storm of applause. My remarks, "What? Madame!"download the film Design of death and Surprised, but accepted by the public. I did not try to add music, poetry. She's here, it occurs on its own. I try to play the situation and take the character, to show its gradual transformation into a monster that beset his temptations, his secret passion, his last doubts. And most importantly - I'm listening. I was listening intently partners.I tried to get his friends, that they should follow this style, and they accepted. All were delicious. In addition, I was twenty-five years, and I looked at nineteen. Reggiani, who was nineteen, looked at fifteen. Just the age of the characters. What especially touched me was Picasso's interest in our performance.He wanted to keep anything should to remember him and asked to take a picture of Dora Maar me as Nero. The audience expressed its delight, newspapers - less. One journalist showed me his laudatory article crossed out with a red pencil.
WATCH THE FILM DESIGN OF DEATH IN EXCELLENT QUALITY ONLINE At the bottom it said: "Permission granted to place photos, if you criticize the play."My troubles started with the collaborationist press. This young journalist named Jacques de Pressac. I forgot his name, all the more so because of this, he left the newspaper. In a break with me backstage went Marcel Carne. He said he wanted to help me make his debut in the movie. In the hope of what I asked him what was and confessed.At his request, I promised to give up the roles offered to me. I refused. But this was no merit of my - the roles were mediocre. He offered me a role in the film "The Runaways 4000 years", which was released by German company "Continental". My luck was not asleep - the movie was not filmed.Several times I was offered a role in the film, which starred "Continental". Henri Dekuen offered to star in the movie "First Date." Another stroke of luck: the Germans did not even want to hear about me. This allowed me later to protect some of our comrades.