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II. From conversations with the performers January 15, 1931 ... What is this show? Those who have seen the layout, ask me, "What erundovina? Primitive layout!Nothing. A ship? No ship. Port? Port no. Outpost? Outposts there. There is nothing in the layout. " But in Tomte of the matter is that there is only ready. READY - is. And then the play is built under the direction of the actors who are in the hall with a group of sailors who disrupted the play and build our play.And it does not speak our behalf GosTIMa, and the group, which leads here Wisniewski, from this group of sailors. Create a performance - that's the interpretation of clearance. There must be dramkruzhkovsky raid. It must be terribly naive, simple. These sailors and yavyatsya those actors who will create drama.And since this is men, not meyerholdovtsy, the liability of them very small. Well, say, Tsypluhin - he is European; why man can not play European? Maybe 243, but Feyervari? in "Bubus" he played, of course, can not. Here, for example, to invite this opektakl on tour Kachalova - no good.Here, all is light shade of irony, simplicity and innocence. Make it a very good actor is easy, and the actor who does not possess great technique - it is difficult. The only company in the world, which took possession of this technique in a very pointed, very high art - it's Kabuki troupe.It is the only company that download the film Diljale
and learned this amazing technique and holds it perfectly. I have seen in Paris Kabuki troupe, and I found myself on the fact that they show the art which I still have not seen.I knew theoretically Kabuki - the books, the iconographic material - Kabuki tricks I know, but when I saw the Kabuki, it seemed to me that I did not read, did not zial.The most basic thing in the reception that they are suitable for every phenomenon with mandatory naivety - no matter whether they play vysokodramaticheskoe, tragic or comic situation.Actor primarily takes such a position is a saying that it would be clear very naive, not versed in any subtleties of people caught in the auditorium. In this technique mastered Chaplin. He also chooses stage effects, which are the simplest, most innocent and most familiar to everyone.He sweep aside the fact that there will be available to everyone. It is doing the same thing, and Kabuki actors. And they have come in such moments - moments of the ritual, the ritual stage - when the actors have to show masks, figures, and they go, show yourself as the participants of the show.It's sort of procession, when the circus arrives in a provincial town, and instead of putting up posters artists sit on the horses, donkeys, camels and elephants, puts on a costume and defile the city. Look online
. Or come kakayanibud company, which shows the bullfight, coming from Spain, say, France.They do not believe the posters, they defile the city, intrigue the audience that shows in which they dress, what they figure, what the bulls, horses, etc.Kabuki during his stage show actor solemn ritual gestures make kakieto special rhythmic movement, showing themselves behind, sideways, and when the play begins, they have to part with this technique and begin to play the part of the story, with some actors take possession of plots that cause tears the viewer, andothers - areas that cause laughter.