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Bard, the natural transmission of sounds on the screen is self-evident and needs no comment. But the subjective sound better position to consider an example.Mother receives a message that her son was killed. Mount women are so great that it is disconnected from the perception of the outside world. Close-up mother. She is self- absorbed. Without opening his mouth she mentally repeating the same phrase. "He promised to come back ... He promised to come back ... "Medium shot. Next to her mother's daughter.She tries to calm her down, says kakieto words. But on this plane viewer only hears the same phrase uttered by the women's vote, "He promised me to come back ...". The scene can continue. Will come into the room and approaches the mother dit other relatives, something to tell her. It will look at them, to see them, but their words can not be heard.The principle of the tenth. The expressiveness of the sounds on the screen depends not only on the accuracy of recording the sounds realistic, but also on their compliance with our understanding of the nature of the sound, or other object, from compliance with sound images that are stored in our memory.Our ears, auditory nerve channels and the primary areas of the brain generate sound in our memory and in our consciousness in a completely different manner and with other unique features than do microphones and recording equipment. There are many cases where the actual sound of the object, recorded on tape, we perceive as alien and unnatural.Then you have to look for or similar to our ideas sound instead of his real or simulated. But the lack of expressiveness of the recorded sound in real practice there all the time. When this happens, one has to resort to various tricks technical or artistic.The principle of the eleventh. The sound, as in the picture, there is a division in the large, medium and general plans in accordance with the size of the object in the frame. By the sound of size implies not only the volume of its sound in a soundtrack, but also a measure of its distance from the microphone when recording.Approximation sounding object to the microphone and the removal of it changes the nature of its sound, the sound of the sub elements appear or disappear echo changing set of overtones. The most common technique is to use a full size sound to comply with the size of the object in the frame.And if the sound source is in a sequence of frames out of sight, it is necessary to observe compliance with the viewers' perception of the location of the source in the context of the visual frame. By analogy with the principles of inter-frame mounting assembly principles of sound not always observed.When the director must nroaktsentirovat full of meaningful element of the scene, it is possible to resort to short-compliance. Watch the film Diljale online
. There are examples of direct retreat from the principle of matching size and image size sound.Efros director in the film "On Thursday and never" intentionally on common plans characters deduced their dialogue on a large sound plan in order to highlight the fundamentally important for him to pieces on the content of dialogues.