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That installation determines where the captured piece mount, when the overall plan should be interrupted large, without losing the sense of space in front of us and not breaking for the film.Here we come to the phenomenon, which Balazs calls "the doers of the scissors." Possibility to cut, and then interconnect different frames, creating a certain pace, corresponds, according to the Hungarian theorist, "the concept of style in literature. The same story can be told in different ways:action in the story depends on the content and rhythm of some phrases - like this and installation gives the film its rhythmic character. Thanks to him for a picture is sometimes slow as the ancient epic hexameter, in the other case is similar to that tempo ballad, then catch fire and extinguished, the cool surging or capriciously gleaming.Installation - breath of life movie. " However, warns Balazs, frames can not be "'conjugate': they can not be download the film Dushman
and connected to each other by verbal or rather literary scheme. Can write: "Ge Bela Balazs, see a man, 78 79 Roy went home, and when he came ..." Still the same has only now.Installation through the "perebivok" secondary and "looping" scenes can break time, as well as close-ups divided by space, and creating. the first and second cases, the new time and a new space. "Technology thrashing and visual duration is a delicate task director.He should be able to bring the mood, which is imbued with one frame to the next. Just as the same color in the painting produce different effects depending on their correlative position on the canvas, and the tone of a scene depends on the previous one.Overcall may deviate from the central action, but to him it must preserve the unity of tone. " As for the mounting of various stylistic possibilities, in his first book, Balazs says only "simultanizme" and the " refrain".The basis of the latter is "the recurring motif" like the chorus at the end of the stanza, - that is the scene that serve as a leitmotif of the film, based on a first - on the contrary, the desire to show a number of concurrent events, even if they are to each other or to to the main not in kakoylibo causation.After the emergence of sound film, in 1930, seven years after the publication of his first book, in which Bela Balazs proclaimed that man with the appearance of the movie is "visible", "knows himself, despite all the differences of language," he writes theoretical work posteriori - the book "The Spirit of movies." Based on the premise that man is now so accustomed with a film camera, which made it almost in one of its senses, Balazs develops the ideas presented in his first work, trying to "sketch a sort of grammar movie, perhaps his style and poetics. " . -!There was a sound film, says Balazs, and "it's time the balance sheet." According to Balazs, film still remains an art due to a close-up camera angles and mounting. In a microscopic close to what a close-up shows us things, we, of course, in reality they never see - says Balazs.- Due to a special, limited scope of the frame, the field of view, due to the special angle perspective - only in the frame reveals the subjective will rezhisseratolkovatelya ... Only in the installation, in the rhythm and in the associative process download the film Dushman
and revealed a number of figurative most significant: the composition of the whole work.