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What will happen with the artist, which is limited to the individual imitation?He will find in it something of the nature, but not the very nature of "emphasize the importance of species with respect to the individual is merely a reformulation in terms of quasi-scientific XIX century old ideas of the ideal as the basis of all art.In the end, for aesthetics type Katremera De Quincey imitation masterpieces of old masters important role model very nature, does not exist in its particular manifestations. 9 One of the most important changes in the artistic consciousness of Romanticism was just a "spiritualization" of the private display of nature - a phenomenon.In 1808, the German painter Caspar David Friedrich put original altarpiece "The cross on top of a cliff," where the crucifixion was download the film Egri csillagok
and depicted on a cliff top, covered with firs, in an unusual kind of realistic landscape painting. Controversy erupted around the altar.Chief interpreter and defender pictures Ramdor announced a new type of painting allegories, built on "the visible aspect of things," and so explained the nature of the cross in the room: " Sacred Nature gospodaego beautiful church!" Frederick himself unequivocally supported the idea of вЂ‹вЂ‹private aspects of the world of painting:"Nature does not give komuto one whole, but each thing. In each subject lies an infinite number of meanings and complexity of views" but the semantic infinity - is an attribute of God, but because nature in its concrete existence is the highest expression of God's absolute repository of meanings.Michelangelo "no sense" is replaced by "an infinite number of meanings." Novalis just calls nature and poetry: "All nature is the nature of poetry in the ordinary sense. All the characteristics of an ordinary nature, befit poetry .... It is symbolic nature.Or nature should bear the idea or soul must carry the nature of "The notion that the ultimate truth is hidden behind natural accidents, brings together art and science. One of the first manifestos English Romanticism - Preface to the" Lyrical Ballads "Wordsworth in reads:"Poetry is the spirit and the essence of knowledge. It expresses the passion that inspires scientist" Thus, accurate, scientific fixation appearance of nature serves as one of the tasks of artistic creativity. At the beginning of XIX century planned drastic change prestige topographical landscape.A friend of Wordsworth, and one of the reformers of landscape painting by John Constable virtually eliminates the difference between the ideal and topographical landscapes. Search for perfection, according to Constable, should "have its primary origins in nature" and that search has a scientific character:"Art - the science - he says - and should be understood as the study of the laws of nature. Why, then, should not be considered as part of the landscape of the philosophy of nature, for which pictures can serve experiments?"In landscape painting there is a new significant subspecies - sketch as an instant sketch from nature, retaining its status.Such tendencies in the artistic consciousness of the era most fully expressed in a romantic natural philosophy, which download the film Egri csillagok
and developed the original concept of natural language, just going back to Jacob Boehme, as well as ancient and medieval Neoplatonism Under this concept, the "external aspect of the world is a manifestation of the Divine Thought"10, which can be read in direct artistic enlightenment through visibility phenomena.