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We returned to WGI in the air was literally spilled the opportunity to speak, to think, to argue that we did.However, not so much in the classroom, but in the corridors, in the dormitory, in the company of friends. We took this opportunity as a natural, considering that it is irreversible. XX Congress acted on the most refreshing of our teachers, regardless of their personal characteristics, beliefs, degree of courage in dealing with us, the students.Cinematography at the time somehow otherwise opened. Thanks to Sergei Vasilievich and Valentina Komarova Kolodyazhnaya we knew American movies 30 - 40's as well as the Soviet cinema. And not just American. We watched movies every day, discussing, and so far it is not erased from the memory. And Student Cinematography those years was awesome.I have already spoken of her classmates in the studio Dovzhenko. The second course - Mikhail Romm: Andrei Tarkovsky, Alexander Mitta, Vasily Shukshin. The third course - Gerasimova: Frunze Dovlatyan, Muratova, Loew Mirsky. Fourth Year - Jutkevich: Eldar Shengelaya, Alexei Sakharov. Graduation rate - Kuleshov Gennady shelves.If you recall the camera faculty, the same time as we received a brilliant assemblage of operators already in his lifetime, and some, unfortunately, after the death of the recognized classics of our cinema. This Rerberg Gregory Alexander Knyazhinskiy Savva Kulish, Nahum Ardashnikov.Then came Karen Gevorgyan, Misha Belikov and other fine operators, and many of them went to the director and there myself famous. Artists Valery Leventhal, Boris Blank, Alexander Boim, Michael Romadin. Actors Lyudmila Gurchenko, Zinaida Kiriyenko, Lydia Shukshin Sofiko Chiaureli Tamara Semina, Leonid Kuravlev and many, many others.When we download the film Emmanuelle 5
and walked to the release, the institute received Sergei Nikonenko, Kohl Gubenko Jeanne Bolotov Galya Polish. Of the writers will name Gene Shpalikov, Natasha Ryazantseva, Odelsha Agisheva, Lesha Gabrilovich, Volodya Valutskogo. And we were not worse, call at least three names from film studies courses, which came after us:Naum Kleiman, Ira Shilov, Vladimir Dmitriev. In general, I can say without exaggeration that the issues that have been the time of my studies, for the 1955 - 1960 years, people have download the film Emmanuelle 5
and formed, the new outlines of our film, which was his glory. Not all at once opened. For example, Kira Muratova.No one suspected that this modest woman - she was already download the film Emmanuelle 5
and married to VGIK Sasha Muratov, later director of Kiev - will be the very Kira Muratova, that takes so much and happy, and anxiety disturbances across our cinema.Conversely, there were people who were marked VGIK everyone's attention, but later gave much less than promised.
But together they form a very strong that environment - a bizarre, not always, perhaps, at first sight attractive, but very serious - in which youth has passed. Of course, those years were not cloudless.Sometimes the thing that the VGIK environment was and cruel. I'm reminded of the story of Glory Efimova.