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This is what is expensive in the movie, so this time. But often it is spent? In satisfaction of the requirements of manic director, cameraman, actors and the like. I have been in this profession twenty-two years, and I've always wondered test Views:all seem surprised to see something on the screen, and this "something" must be done very carefully to shock those who financed the film - they're sitting here in the audience and watch as their money is converted into an image. These private view all satisfied, every evening browsing extremely successful scenes and episodes;Then, when connected piece by piece fifty wonderful passages - oh, what a surprise: the film does not take place, nothing inside, and everyone looks at each other in amazement views. Technology creates complexes in humans:enough Erotik film movie watch online
, and turn the radio, to find the transmitting station - and everyone thinks he Toscanini. Beautifully filmed footage! They did put out. The film should be well told.It's the least that should be Erotik film movie watch online in excellent quality
and require a filmmaker, but not a single frame has to be beautiful. The only thing that matters - it's the rhythm, and the rhythm does not learn, he has to sit inside. I believe in the importance of Pier Paolo Pasolini values of individual scenes;Isolation takes place, the scene always ends in one particular moment. However, as a rule, directors like Erotik film movie watch online in excellent quality
and extend the time. As for me, I believe that by doing so, make a mistake in terms of dramatic effect.Neorealism is so lovingly follow the human being in all his discoveries, all his impressions. It's the little creature is something oppressive, something hanging over him, and suddenly, unexpectedly, it is something inevitable inflicts a blow - at the very moment when the creature enjoys the freedom, absolutely no waiting.For me it is important to state expectations - that it should be developed in the movie, and the ending should not emphasize. Take, for example, the scene of fishing for tuna in the "Stromboli". For fishermen it is waiting in the sun, then they say: "Bring, bring!" - For they have thrown the network;water suddenly starts moving, and death catches of tuna - this is the final point of the scene. Similarly, the death of the boy in the "Europe 51". After a suicide attempt, he comes to life, all is quiet, and suddenly, when this can not be expected, the boy dies. Film Erotik film
.Of course, this expectation is shown in my films through traffic, because my job is just to follow the characters. Usually in the traditional cinema scene is constructed as follows:general plan defines the scene, we see a man approaching him, should the average plan, then the "American" plan, close-up, and then begin to tell the story of the character. I'm doing quite the opposite: a person moves, we follow its movement, and we offer a place where it is located.I always start with a close-up, then moves the camera crew accompanying the actor, and shows the scene.