. Ward.Compose the shot, in the movies and on television Figure 1 Go shoot "red" flower that is easy to vary the eye against the fence, but that is barely visible in monochrome transmission. Composition W Images are usually tied to the key, and the combination of space filling lines.schyu small color monitor with a low resolution. Color areas, which have the same brightness, become a monochrome viewfinder inseparable, while individually each of them has a significant impact on the construction of the composition.Deep red and blue look great on a monochrome monitor is much denser than the color. A small fragment of the saturated colors in quiet background looks much more expressive in color than his passes viewfinder.Monochrome At some level more abstract than the color, as it does not match the model of the normal color vision. Image, based on a composite structure which lie just tone and combination of lines, looks simplistic.Operator after years of shooting a white and is often difficult to build a color composition, so he usually makes it to the level of monochrome. Many photographers still prefer not to use color to emphasize the shape and volume of the subjects. 106 P. Ward.Picture Composition for Film and Television That video was built on the principle of mono track is easy to see by turning off the TV function of color. In this case, the picture is surprisingly more expressive - this means that the basis of composition is a combination of black and white.If used when shooting color viewfinder, the composition was based not only on the pitch and combination of lines, but also on the color ratio, when translated into a monochrome image has been a reverse effect. download the film Evrything Will So Facking Good
and Flooded with a steady light the scene with a white and transfer causes a feeling of lack of contrast and energy.The same scene in color sometimes is much more expressive than you might think, looking at her monochrome version. Scene, lit mainly by red light, has a very low contrast and poorly expressed by the structure when viewed through a monochrome viewfinder.If the operator is not watching the scene in black and white as one would avoid unnecessary disputes about the lack of dynamism in the composition. A color image can be built not only on the combination of lines and the overall distribution of objects.In contrast lighting, the composition may seem too harsh, while the download the film Evrything Will So Facking Good
and scattered light can make a monochrome image is too flat, the color factor often helps to make sense of the image.In contrast monochrome viewfinder deficiency reduces expression pattern, and without striking chiaroscuro composition ratios seem unbalanced or ordinary.If the construction of a composition download the film Evrything Will So Facking Good
and based only on a monochrome image, some color combinations will look very strange and not correspond to notions of a balanced W Images.The use of monochrome viewfinder for composing shots, increases contrast, direct correlation between the occupancy of the space and, usually, to the presence of converging lines.
WATCH THE FILM EVRYTHING WILL SO FACKING GOOD ONLINE
The color combination is not is the basis of composition, color, rather, is a particular feature is in the frame of the object.But if the construction does not consider the role of pictures in color, formally balanced on the occupancy of the space frame, and his compositions monochrome image when viewed in color can suddenly "fall apart." The human nature of color vision can compensate for changes in the color of some change in the external environment.Thus, the operator must verify the accuracy of the download the film Evrything Will So Facking Good
and transmitted color.