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Consequently, the differences between the worlds, accessible system of expressive means of film and the novel, they may have a significant similarities.Interweaving reality with memories. Proust's novel proves that life is depicted in literary narration, can cover areas that can not be reproduced by means of cinema.At one point in his novel "In Search of Lost Time," the author describes how he woke up at dawn, lies and listens to penetrate into the bedroom shouting hawkers Until then, the episode download the film Finian's Rainbow
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and designed for the screen, but then expands on Proust stereotyped phrases and intonations these people because they are causingmemories in him, remind him Gregorian chant. All the episodes he leads the reader to compare shouting traders on the streets of Paris with the liturgical dissonances. Describing his life in such an infinite web of observations and memories, Proust creates narrative tight camera.In the film, you can not imagine such associations and the subsequent flow of thought, without the circuitous paths and artificial devices, but it's worth it to have recourse, as the film will not be cinematic.Expressive means movies can actually display on the screen the inner world in general, but only the events that serve as an occasion for thought, 312 in this case, what are the street vendors, their melodious phrases, drifting through the shutters and curtains, and external involuntary reaction to it's .These frames can push the viewer's imagination to a download the film Finian's Rainbow
and certain way, but, to make sense of the content and implications, it is unlikely to come up against the very contemplative imagery that creates a novel. So ekranizator faces a dilemma.If it shows on the screen shots of street vendors with their cries sound track, then he is unlikely to realize them organically related memories, and if he wants to switch the hard focus on the memories, he'll have to resort to tricks nekinematografichnym that inevitably pushed into the background plan and appearance of the street and noise.Apparently, any attempt to convey the continuity of the spiritual world of the novel in reality cameras invariably doomed to failure. The whole episode is representative of ambivalence Proust to the movies.On the one hand, in his novel is constantly emphasized that minor effects of physical and psychological nature - like cookies, which he dunks in the tea, the special position of the hands or feet, slightly irregular surface of stone slabs - instantly cause involuntary memories;All this, of course, suitable facilities for filming, because they are small and material. Watch the film Finian's Rainbow in excellent quality online
. On the other hand, Proust, following the flow of his memoirs, reveals feelings and thoughts that have no equivalent in the outside world. They are firmly attached to the linguistic means;even the most skilful filming, can create a cheap substitute for vision, the produced words. As a contemporary cinema, Proust largely accept the movies, but at the same time he completely rejects them as a writer.Favorable attitude to films exacerbates susceptibility to transient phenomena, like those three trees, which seem to him long familiar;but when he starts to interpret them as signs of yet unravel the past, "appealing" to him that he "took them with him, returned them to life," 15 out of Proust film world into a sphere alien cinema.