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Needless to say, so that the equipment operator was not easy for anything should "spy"? Implements monitoring nullified observation itself.In order to verify the authenticity of pearls, as they say, simply omit it in vinegar. If the pearl dissolved in vinegar - this means that it has been present; fake pearls vinegar is not terrible. About as an alternative to facing documentary filmmaking.In the role of pearls appeared real life, and as vinegar - camera. Her presence is undermining the authenticity, but she willingly put up with any forgery. Before the gun cameras people are victims. About any natural behavior was not the question.And if his birth was once staging was required to chronicle movie, very soon a documentary film was exposed to the game. "Wonders of the movie" forced out of the screen real miracle of life, and art is substituted for her to watch her imitate art. To return to the screen nepreobrazhennuyu life needed was a revolution.Revolution looks and technology revolution. Cinema waiting reformer who could understand the possibilities inherent in the direct observation of life through cameras, and adopt it as a way to monitor research and disclosure world. So reformer was Dziga Vertov.He rescued the camera out of the pavilion, and threw it towards a stream of people, shops factories, whirlpool streets and squares. He struck it into the deep shafts and hoisting of the cars racing trains. Liberated camera greedily absorb life. Tirelessly sought its heroes - the children and workers, teachers and milkmaids, bakers and telephone operators.She challenged the "Indian tombs" - fictitious worlds of papemashe. His heroics filmamimanifestami he claimed facts. He "wrote newsreels" editorials, satires and essays, diaries and poems. Red Army units were in Moscow with placards: "We are going to the" Three Songs of Lenin! ""Trying to capture the diversity of life, he has developed various methods of shooting. The appearance of age and personality of the artist were inextricably linked. One writer somehow noticed that he envies his camcorder, which "gets reality for nothing." As well he might be jealous of Mayakovsky pen and ink Byron.Many of his - now a textbook - the movie "kinoks" was shot on the bad illuminated film almost made equipment. They download the film Fisica o quimica
and assembled in the basement, where it was dark and damp. The earthen floor and then darting rats. Magnifiers are used for the manufacture of condensed milk cans from under."download the film Fisica o quimica
and Obtained for nothing" is paid by the highest dachshund who was behind the camera.
It was necessary to be truly obsessed, confessing miracle of living reality, that at that time technique to try to catch up.Kinonablyudeniya methods download the film Fisica o quimica
and developed and implemented with difficulty in practice Vertov, his understanding of the possibilities for a long time ahead of documentary - as has already been mentioned - the possibility of the production base and shooting equipment cinema of the time.Ubiquitous cinetechnics revolution began much later - in the second half of the 1950s, when filmmakers were portable recording devices.