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Fairy tales of the Viennese wood
LOOK ONLINE Cinema as an art "(by the way, erroneously claiming that" music is designed to allow the main technical See:Omberto Barbaro, Poetica del Film, В«FilmcriticaВ», Roma, and aesthetic problems of cinematic representation "), there was another Italian who, in a sense approaching Kanudo and surpassed it in terms of scientific value. We mean Wolfgang Rossani with his work "Cinema and its forms of expression." Based on the provisions antikrocheanskih, it is adjacent to the flow in the film theory, which can be called lessingianskim: in fact, he defends the possibility of its kind in the hierarchy of art, according to which the film can find its place as a means of artistic expression predominantly visual and "original.""In his РёР·РѕР±СЂР°Р·РёС‚РµР»СЊРЅРѕСЌРјРѕС†РёРѕРЅР°Р»СЊРЅРѕРј meaning" cinema, he says, has the ability to meet the need, "which in a sense can be called original, and not because the person has to film inside the attraction, but because it is itself goes to meet the emerging interest in it. ..Film can achieve great results, which, despite the fact that they are made by technical means, you still meet the deep and heartfelt original human needs. "Vittorio Collina also tries to classify the types of art, coming at the same time, however, the principle, the opposite of what advocates Rossani. In his paper "Cinema and the arts" Collin, using a highly controversial method of comparing different types of art and film, has denied that the movie-nuclear explosion.it possible in art, because it was not born with a man. Colleen book is of interest only as a curiosity, as well as many other books, such as "talkies" J. Bragalya, which contains materials of discussions and controversies that took place at the dawn of sound film, "Introduction to Film" J. Skoteze (G.S a t e s o e, Introduzione Anton Giulio Bragalya - the author of many books, including the much more interesting and profound work:В«Evoluzione del mimoВ», Ceschina, Milano, 23d al cinema, Centro Cattolico Cinematografico, Roma, 1941), "The place of film in a series of arts" Hugo Tolomei, two gift edition - the book by Alexander Arnoux "Movie" and "From the speaker mute ". French film critic Jean download the film Fisica o quimica and Epstein, based on the provisions made by the other French-Dellyuk.In his book "Hi, movies," written and published in so dear to his heart, futuristic and "avant-garde" spirit, he argues that film, by its very nature, "supernatural", has only one ability - "photogeny", a word that was then fashionable, but its real value was the statement;, only a very few. Epstein is trying to explain it | sense, but it does so often with very fragmentary I and the various philosophical arguments I tricks than with genuine analysis methods | this. He even resorted to such concepts as "a litany of f photogenic", which among the "semihard and polu4;phrases "takes the principal value of" monologue one | a person - close-up. " Cornerstone on which I based cinema, that is, close-up, I said Epstein, photogenic expressed in movement;evidence of strong emotions, "the imperative verb understand," close-up changes a person - his eyes can no longer be distracted, can not see nothing but the screen close-up "limits the space and directs attention," creating a special "mode of consciousness."In other words, later said Bela Balazs, "director directs the viewer's eye." In other words, by "photogeny" download the film Fisica o quimica and Epstein understands the appearance of all objects, living beings and states of mind, "morale" are enhanced by their cinematic playback;the same aspects of them that do not benefit from the cinematic playback, are not I w photogenic and I do not make cinematic art.