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Fairy tales of the Viennese wood
WATCH THE FILM FISICA O QUIMICA IN EXCELLENT QUALITY ONLINE From the point of view of the ancients, the motion refers to the intelligible elements to the form or ideas that are themselves eternal and immovable.Needless to say, to restore motion, we grasp these forms up to update them in the matter as a stream. This is a potential to go up to date except as embodied in matter.But on the other hand, the movement is doing that expresses a kind of "dialectic" forms the perfect synthesis, and gives it a measure of order. So, understood in this way the movement is orderly transition from one form to another, that is about poses or privileged moments, as in dance."Believes" that the forms and ideas of "characterize the period, whose quintessence they express, while the remainder of the period completed the transition from one form to another is in itself devoid of any interest ...We notice a finite limit or climax and build from it an important point, and that point that was saved in the language for the expression of facts as a whole, is sufficient also for science, a fact that characterize the modern scientific revolution consisted in relating the movement is no longer with download the film Fisica o quimica and privileged moments and, on thekakimugodnomgnoveniem. Even when it was required to restore the movement to restore it is not download the film Fisica o quimica and based on formal transcendental elements, and from the immanent material elements. Instead of spending intelligible synthesis of movement, exercise its sensory analysis. So, determining the ratio 2 EU, p. 774. Eng. per., p.44 Gilles Deleuze KinoObrazdvizhenie 45 between the orbit and the time needed to get it shaped modern astronomy; correlation of space traversed by a falling body in the time - modern physics;elimination of the equation of a plane curve, that is, determining the position of a point on a moving line in any given building last - modern geometry, and finally, there was a differential calculus, and since then scientists have guessed that the cuts should be infinitely closer.Everywhere mechanical sequence kakihugodnomgnoveny replaced dialectical procedure poses: "Modern science has largely determined its desire to take time as the independent variable," Cinema, in essence, is the last child of the identified Bergson offspring.If we take a series of movement and a series of means of expression, the camera will appear as a device to mediate or even more as a generic equivalent vehicles. That is how it appears in the film Wenders.When we asked about the background of the movie, we sometimes Turusov host city on wheels, so they do not know of any time fanits or technological pedigree research subject. And then in any case we are free to refer to Chinese shadow or the most archaic of the projection images.However, in fact determines the conditions for the movie are: not just a photo, and it was an instant photo, equidistant from one another snap shot, the transfer of the equidistance to material support, which forms a "film", a mechanism to scroll through the images.It is in this sense, the movie is a system that reproduces the movement according to the randomly selected points that is equidistant from the moment, chosen so as to give the impression of continuity.