FILM FISICA O QUIMICA
As well as a novelist, a filmmaker has the freedom to choose the plot, scene.He can write off from near or far distance, detailed or download the film Fisica o quimica
and summarized. He mozhettsennoe quality that he had not used, change the download the film Fisica o quimica
and speed of the images.The main difference between the two arts is that the book describes the inner and outer world in terms of clear consciousness, giving us the ability to imagine and understand, the first second;at the same time on the screen is not the case, the outside world is represented, inner peace can only be download the film Fisica o quimica
and suggested by gestures, spatial manifestations of nature. Another drawback film - is the relative slowness in learning image compared with the word. The word "winter" is seen in half a second;corresponding image is absorbed only five or six seconds. That is why it is impossible to achieve on the screen kaleidoscopic speed change some poetic scenes. Try to put an end to the movies "Drunken Ship":But if Europe, then let it be, as the frozen puddle, dirty and small, squat Let sad boy twists his paper boat with a wing moth. I'm sick of this slow swell of moisture Sails caravans, homeless days, I'm tired of trading on the flag and the swagger of hard terrible pontoons - lights!"As you can imagine on the screen for twenty-five seconds is about the time to read these lines - so brilliant shift images? Thus, in comparison with other dynamic arts - music, poetry - film download the film Fisica o quimica
and marked the relative immobility. This is due to the fact that it is bound to feel the force of the scenic attraction.VI. Painting. The movie and paintings certainly have common origins, and if verbal art, from Homer and Pindar, come from the theater, the plastic arts, apparently having other sources, have experienced the strong influence stage. In ancient Greek tragedy painting - we can judge this for vases - drew its inspiration;and throughout the classical era, XVI, XVII, XVIII centuries, theatrical and scenic plastics never ceased to influence each other.Painting certainly has been a source of inspiration for the film, this effect is debatable when it copies the pictures, as we have repeatedly seen, but this effect is very interesting when taught own light.Blurry images can be traced back to Carriere, was forced to take a close-up, they gave screen new expressive possibilities, and often fruitful undeniable influence of Rembrandt on the northern filmmakers, Swedish and German.The contradiction in the annex to the movie of our susceptibility to painting is that it requires that we stop to contemplate whenever we like spectacle.
FILM FISICA O QUIMICA
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and concluded contradiction with the idea of вЂ‹вЂ‹movement. And it is here that intervenes very effectively our dramatic sense, requiring movement.A picturesque sense should we ascribe something that attracts us in unexpected modulations of color and light fireworks, fountains of light, kaleidoscopes? You can ask yourself what is the artistic value of this susceptibility?Play of light in a kaleidoscope, the fountain on the light screen amusing sight, but by themselves do not have a direct impact on the inner life;To achieve this effect, you need to master the game gave the light variations of the value of speech, used them to establish common sense, collective emotions between him and his audience.Various pure light spectacle that we were shown to attract attention only when they operate on forms in which we think we know something, flowers that resemble something.