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Ideological and polemical motives merge with the essence of this art:they remain abstract rationalist contradictions outbursts of discontent that would be wrong to try to consider in a rational, organic terms. At most, they are a response, mood, hostile society, building upon the low, self-interest;reactions and feelings which, by their purely intellectual nature manifested in the tone of caricature and satire, not rising to the level of genuine high artistry. Between the world of the poor (which is download the film Frygtelig lykkelig
and rooted poetry of the film and is most excited and clearly shown in the scene of the funeral of Aunt Lolotty;in the scene where Toto gives his bag unfortunate, stole it from Toto only "because he likes", in the scene where the homeless basking in a ray of the sun, or scenes of love and Edvidzhe Toto) and the world of the rich no dialectical relation, for impossible synthesis and unity between the two "souls" of the film in either the reality or in terms of stories.Also in this case, you have to learn from Chaplin. These are the weaknesses of the film:near with a true inspiration, which seem fairly plausible, albeit with some rolling in the mannerisms, the living conditions of the urban "subproletariata" where strangely poor opportunity and effective, that is, next to "The Human Comedy" - a satirical tale, entirely intellectual and literary full of smart finds witticismssometimes cheap, sometimes just hitting the target, but also pure entertainment, which sometimes, as in the scene with the transformation of the statue in a ballerina, just sins against good taste.And while, say, a valuable and compelling part of the film reaches a precise rhythm, harmonious installation, smooth and expressive acting version in the operator's behavior when all fused in a remarkable unity, which allows to enter the fantastic world of his truthfulness of these accidents, the soul each of them -another part of the movie, let's call it "wonderful" and satirical, as inferior and in form: it is devoid of sparkling rhythm, sharp and clever editing, stylized acting, and in spite of a dove, athletic angels, spirit aunt Lolotty, enchanted prison vans and flying brooms, it can not not be a fairy tale, nor achieve lightness.Maybe that's because it's all download the film Frygtelig lykkelig
and invented, "from the head" and there is no poet who should relieve, download the film Frygtelig lykkelig
and invented embodied in the images of art imbued with the life-giving breath. How much more delicate subtlety, fabulous - give only one, but a shining example!- In the frames where Toto, kneeling, wearing a new shoe on the foot Edvidzhe leaning on the box! Watch the film Frygtelig lykkelig in excellent quality online
. The usual image is very real, but how much of it poetic associations and feelings. This is just one more thing - the illusion dissipates immediately, because in this society there is no place for such a pure and simple souls and the tale of Cinderella is just a fairy tale.The images are full of images of grief, this unattainable desire for goodness, this bitterness, which is the poetic nature of the film.Some in his criticism of the film referred to the last two of its authors, even in their statements regarding the goals and intentions, from which they came, giving all critical, if it is a question of the precise interpretation of articles.That the past of the artist may have some value, and assist in evaluating the product, there is no denying, however, provided that every precedent should not be given extra weight, is highly controversial, and the fact that artists are able to provide an explanation regarding the works they have download the film Frygtelig lykkelig
and created:often just imto and must say the least, and, in any case, the value is always not what they wanted to say or do, or what they thought to say or do, but what they really said or done, even do not know about it.Luchino Visconti So, it is clear that the "Miracle in Milan" is the most noble and high attempt to overcome the current downturn neorealism, as evidenced by the strong and weak sides of the film itself.