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uncertainty endangers the sounds coming from the future would like to refute the words of Edgar "We, the young, it will not experience", no longer seemed mysterious. According to the well-known British theater critic John.Tryuina in dyurrenmattovskom play "The question of responsibility fizikovatomschikov threaded text like lightning." This was no accident. Present podtekstovyvaet all the creativity Brook. "Everything we do, eventually - the policy", - he said in an interview. Moreover, the policy defined sense.Neither the audience nor the readers Brook has never been a doubt that he belongs to the left wing of the English intelligentsia. This does not mean, of course, that Brooke has a strong political platform and are guaranteed against any mistakes, but he hates the reaction and the war.Large public outcry caused the performance Brooke «US», directed against the war in Vietnam, and at the same time affecting many aspects of social life in England. However, Brooke tries at the same time solve the most general cultural problem - relate the man most fully understood, with the world, understood in the largest scale.Besides solve it means theater. But theater lives by its own laws. It reflects life, but not a life; it is art, and therefore, according to Feuerbach, is constituted, to distinguish themselves from life. Here it is necessary to convert all and much lowered.But it manages to make the invisible visible and to penetrate to the deeper reality than daily. The theater is not life, but it is changing, whichever is what the reality around him and from what position he reflects it. This is a separate world, yet the world did not independent.But how to make this world without violating its laws, the best in relation to the life of the "magnifying glass"? How to make these two worlds to live in the same rhythm? How to make the most of their interpenetrating? Brook studies the laws of the theater by trial and error. . Each of his good performance - guessing the objective laws of art.Unsuccessful - Wrong hypothesis disproved in the course of the experiment. It is not sought a final, all exhaustive, is applicable to all phenomena of the theater "law of art." Such claims have not Brooke. Theater, called film 14 blades watch online in excellent quality
and reflect the world, nature, must be equal to the nature own way.And she knows Brook, inexhaustible. Theater, according to Brook, should reflect itself within its structure moving, disharmonious, contradictory society of the XX century. And not just reflect it, but to interfere with him, he needs to be. For Brook House - not a place where people come to relax from life.It came to join her, something in it to understand more precisely the same - to learn to understand it, because the theater does not have to offer ready-made answers and those exempt from having to think.
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Theatre Brook in all of its options is opposed to any commercial theater and the theater, cut off from life - inanimate theater, as he calls it. "Lifeless" - this concept is more complex than simply "dead". Dead is dead, he is no more. Seemingly lifeless and died already, and the grave is not willing to go.