FILM GAM YEE WAI
There can be no Vertov found kinopublitsistiku, but rather found kinopublitsistika Vertov. "Life by surprise," even more categorically been some criticism, should be opposed sincerity ideological focus. Again and again, documentary filmmakers imposed alternative:or ideological focus, or "life guard". In the face of such logic just powerless, not excluding those who formulated it. Indeed, in the state of the criticism coming from the alternative, to admit that the technology vertovskoy "taken aback" by their appearance just owes its ideological focus and has been developed in opposition to the position of dispassionate and indifferent attitude to life? "...The critics did not understand that there is no "kino-eye" for "kino-eye," and there is no life for a life guard by surprise - the director wrote in 1934, referring to such charges - and no hidden shooting for hidden recording. This is not a program, it is a means. "Kinopravda" which recognized, was made by means of "kino-eye. '"For decades, the mention of the "kino-eye" or "shooting guard" was accompanied by derogatory epithets and was seen as the antithesis of active intervention in life.But every time when stressed active attitude contrasted vertovskim principles, while the detachment was correlated with photographic copies of his manifesto - everything here was put on his head.That desire to scoop up a movie camera real life, to screen the world, transformed the revolution, uncompromising artist's conscience would not allow him to pass off as genuine reality staging its surrogate."All kinosredstva all kinovozmozhnosti all kinoizobreteniya, techniques, methods - to make the invisible visible, clear - clear ... to tell the truth about our revolution, the socialist construction of the civil war.Hence the desire to shoot people so that they did not notice it, the desire to read on the faces of naked "kino-eye" thought. " Three years later, he again reflects in his diary: "When critics write, they mostly give our funds for the purpose. And the means of attack, thinking that the attack on the target.Inability to distinguish the purpose of the funds - the trouble is our critics. " "The trouble," critics had been to strive to approach the art of screen documentary chronicles the scale. We emphasize once again:the idea that the position of the author and authenticity of life not only not mutually exclusive, but are in constant interaction - many in the years when Vertov already claimed this in theory and in practice, is still not fit in mind.In order not to simply allow the idea, but to take this interaction as crucial for the development of the world by means of documentary, it was necessary to change the very aesthetic consciousness. Watch the film Gam yee wai online
. As we know, this process is not brief.Return of the camera liberated long period in documentary film associated with almost complete disregard vertovskih gains. With rare exceptions, sequential shooting technique yielded battlefield usual staging solutions.