movie 14 Blades
Catch event is to tie him to the silent land formations that make up its real continuity and fitting into the class struggle. In the history of the peasant something.So, today it is a visual image, stratigraphic terrain, in turn opposes speech act and opposes him some political silent overcrowding. Even letters, books and documents - something from which came off speech acts - have moved into the landscape, along with the historical monuments, graves and epitaphs.The word "resistance" has a lot of values from Straub, and now the speech act, and Moses resist land, trees and rocks. Moses - a speech act or sound image, Aaron - a visual image, it is "a gaze", and that it manifests eyes - coming out of the ground continuity.Moses - a new nomad, and he does not need a ground other than continuously wandering the Word of God, but Aaron need kakayato territory, and he has it "reads" as the goal of the movement. Between them, the desert, but also a nation that "yet", but which in fact it is certainly already there. Aaron opposed Moses, the people of Moses resists.What people choose: a visual or auditory image, speech act or the land? 1 Moses puts Aaron in the land, but without Aaron Moses there is no relationship with the people, to the land. You can 14 Blades movie watch online in excellent quality
and to assert that Moses and Aaron are two parts of one idea;but in any case, these parts are no longer destined to form a whole, because they form the disjunction of resistance, which should prevent the despotism of speech and prevent the land belonged to someone else, to be in possession of chemlibo, submit to your own upper stratum. This is reminiscent of Cezanne, mentor Straub:on the one hand, the "stubborn geometry" of the visual image is stuck in the ground and promotes reading "geological deposits"; on the other hand, the cloud, "the logic of the air", but also the speech act, rising from the earth to the sun These two paths, "the voice comes from the other side of the image."They confront each other, but it is continually recreated in this disjunction underground history endowed aesthetically exhilarating sense, and looking toward the sun reche ^ howling act becomes politically meaningful sense.Speech acts nomad, bastard, exile are political acts and therefore from the outset they were acts of resistance.If Straub was elected for the film, delivered on the novel by Kafka, the name "America, class relations," the reason that misrepresented that from the beginning the hero defends the underground man, the fireman from the lower strata of society !, - and then he has to face the fraud the ruling class, separates it from his uncle;speech act, the sound image is an act of resistance and Bach, to shake the boundaries between the sacred and the profane, and Moses, to convert the relationship between priests and people. film 14 blades
.But on the contrary, the visual image, telluric earth landscape develops pryamotaki aesthetic potency by which found traces of historical layers.