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Fairy tales of the Viennese wood
WATCH THE FILM GLI OCCHI DELL'AMORE ONLINE Only in the living exponents of the original director's ideas skeleton begins to grow meat, muscles and skin, it starts circulation.Actor from now becomes to a certain extent dependent on the director, as director before him a winner - the director in preliminary work came to a clear and complete picture with which the actor is only now acquainted.Work of actors at the first rehearsal was in fact only in the fact that they are introduced to the director's plan and understand it. And what it depends on the freedom of the actor? From the fact that the second period of the director's work is impossible without collaboration with the actor.The director in the hands of one end of the thread, for which he pulls the actor, but the actor is the other end of the same thread, for which he pulls director. And that's why I say that the director has no right to advance its plan to develop the details.Only when I get the cast and staff feel like me falls initiative of many people, when I have to break the elbows of mass and momentum variations, only born staging. Never, of course, I did not depart from the general concept.I always have to be ready to actor initiative kontrhodom ready to respond, as in a chess game is to find the best solution. I imagine the actor is not the initiative is that it will be on the stage and say: "Mr. Director, mud, here you need to take a step to the right, not the left," but the way he accepts my offer.If I see that he reacts insecure, helpless, - then an error here, or - in my wishes, which is not enough for the actor apparently does not convince him, and does not get loose in his mind - or at the very actor who not try to understand me.It is best to leave the job on this scene, think about it and come back to it in just a few days. I have no directorial instance, prepared in advance, and after all that I have here presented, it is clear. Function director here at all similar to the function of the composer.If I come to the stage with a pre-made plan for sure, I can only orchestrate the score with the actor, with a living instrument of my work. Pages of my director's records look like notes, and notes are musical signs.Scientific and research laboratories working in my theater, has not yet devised a way perera502 processing these records director instances that would be commonly understood. I know that the directors, who also understand the work, as I am, is accused of raping that they cast. Fairy tales and empty phrases!This reflects the desire of certain individuals set us, directors and actors to each other. But this is not possible.Modern actor is already so grown up, so mature and conscious that he is very good sense of right and functions rezhisserakompozitora knows from his own experience that this is the only correct way of modern theater.He is not limited in his abilities, on the contrary, he continually encouraged to demonstrate their own productive initiatives. Rehearsals for the director and the actor begins, in fact, on opening day, the day when he first appears in the audience hall.