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Fairy tales of the Viennese wood
WATCH THE FILM GROTESQUE ONLINE "A work of art can be affected only by the imagination.Therefore, it should always wake her up, "but it is to wake up, and" not to leave idle, "trying to show everything. Awake the imagination "a necessary condition of the aesthetic, as well as the fundamental law of Fine Arts.It follows that the work of art should not give all our senses, but just enough to direct a fantasy on the right path, giving her the last word. ""You can not finish explaining much, doskazhet spectator himself, and sometimes because of that, it has strengthened the illusion, but to say too much - it's like that, pushing, scatter composed of pieces of the statue and pull the lamp out of the magic lantern." Somewhere in Voltaire: В«Le secret d'etre ennuyeux, c'est de tout direВ».And when the audience is not fantasy usyplyaema, it will, on the contrary, to excel, and then the art will be more subtle. Why medieval drama could do without all the stage device? Thanks to a live audience of fantasy.Naturalistic theater denies the viewer the ability to not only dream, but also the ability to understand the clever talk on stage. Hence this painstaking analysis of all dialogues ibsenovskih plays, works of the Norwegian playwright turns into something boring, viscous, doctrinaire.It was here, in setting the stage plays of Ibsen, clearly bright rezhisseranaturalista method affects his creative work. Dramatic work is divided into a number of scenes. And every single part of the work is analyzed in detail. This detailed analysis of the director delves into the smallest scenes drama.Then analyzed in detail of these pieces glued together. This pasting parts into a whole refers to the art of directing, but when I touch on this analytical work rezhisseranaturalista, it is not the sewing creativity poet, actor, musician, artist, director himself as one, not of the art in question.The critic XVIII century Pop in his didactic poem "The experience of criticism", listing the reasons preventing criticism faithful pronounce judgment, among other reasons, indicating, among other things, and in the habit of paying attention to the particular, while the first task of the critic must be willing to take the point of view of the author, to take aeye of his work as a whole. The same can be said of the director.But rezhissernaturalist, deepening its analysis in some parts of the work, can not see the whole picture, and, carried away by filigree work - finishing kakihnibud scenes representing rewarding material imagination it as a pearl of the "characteristic" - falls into imbalance, harmony of the whole. On stage, a very expensive time.If kakayanibud scene, which, according to the author, should be fleeting, takes longer than it should, it is a burden to the next stage, which is very important to the author's intention.
LOOK ONLINE The audience, longer looked what he'll have to forget, tired of an important scene. Its director clothed thus in a screaming frame.This lack of harmony in a memorable interpretation of the Art Theatre director of the third act, "The Cherry Orchard." The author of this: the leitmotif of the act - Ranevskaya premonition of an approaching storm.