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Fairy tales of the Viennese wood
movie Grotesque In this respect, the strength of the book ZhanLui Schaefer is the author answer the question: "what and how the movie relates to the idea, whose characteristic feature that it does not exist?"He says that as soon as a cinematic image aberration recognizes movement in itself, it operates world postponement motion or superimposed over the visible turbid and these techniques, as opposed to projects Eisenstein does not make the idea visible, but on the contrary, seek to Moreover, it is impossible to conceive of thought and that notIt can be seen in the vision. Perhaps in contrast to the views of the author, it is not a "crime", but only the potency false. Schaefer says that the idea to the movies stumped its own impossibility, and yet, there derives its immense power, or the ability to birth.He adds that the terms of the movies have only one equivalent, and this is not an imaginary sense of ownership, and the rain, when 1 Wed .: Heidegger, «Qu'appelle-t-on penser?», P. 22-24: "Most of all thoughts is the fact that we still do not think - and always" is Yeshe, "although the state of the world is constantly becoming more and more suggestive. ...Most suggestive today that makes me think that we have not yet thought. " we leave the room; no dream, and black and insomnia. Schaefer is very close to Artaud. In fact, his concept of the movie extremely close Garrel works:the dancing grains, this luminous dust, which can not even be called an anticipation bodies, these flakes of snow and covered with soot sheets are not meant to see them Provided, however, that we will be able to prove conclusively that such works are not at all boring or abstract and represent the most entertaining,lively and exciting from the fact that you can do in the movies. In addition to the grand stage with a mill and accumulating at the end of white flour dreyerovskogo "Vampire," Schaefer offers as an example the very beginning of the movie "Spider Castle":gray background, haze and fog make "all worldly image," which is not an invisible veil stretched over things, but "thought without a body and lifestyle." The same applies to the "Macbeth" Wells where indistinguishability of land from the waters of heaven from the earth and the good from the evil forms the "pre-history of consciousness" the idea of giving birth to its own impossibility.Does not it remind us this is Odessa fog, contrary to the intentions of Eisenstein? Not so much movement, as, according to Schaefer, the interrupt gives the idea of the world we see, not as an object, but as an act that is constantly arising thoughts, hiding:"One can not say that it is about ideas, which became apparent, for the apparent hit and incurably infected primary incoherence of thought that its original quality." This is the description of the common man movie:it is a spiritual automaton "mechanical man", "a pilot mannequin" bathyscaphe inside us, unknown body, which we have behind the head, and his age is not our age, and does not correspond to our childhood, because it is a small part of the time in a clean condition.