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Fairy tales of the Viennese wood
WATCH THE FILM HAJDE DA SE VOLIMO IN EXCELLENT QUALITY ONLINE In one of the performances before its release was paused. The actress justified her way: Imagine that the soup is cooking, and can not move away from it, although it is necessary - and thus formed a pause.During another presentation after the usual pause Medvedev at the scene did not come out. Pause is prolonged, brewing scandal - actress still no. Resorts to it, and she cries, "No Towels" - "What towels?" - "Why, STAC I can not remove." They gave her a towel, she put down his soup and only went to the scene.- You know, - admired Stanislavsky - as a great actress was creating this life on the stage! She had to finish, started to experience the action and only able to move on. Feel like it was right on the line itself, understanding that I am trying to impress you in every way! Actor found the logic of action on stage creates the truth;the truth is, there is faith, and faith in the truth and the actors come to the state, which we call the "I AM." Here, the actor does not depict, and live in these given circumstances: they begin to act as if on its own behalf. Here and born of the unconscious, that is, begins the most creative of organic nature.Given circumstances "IF." IMAGINATION Stanislavski stressed the importance of the moment when the actor is aware that it really works, when the scene is recreated a slice of real life. At such moments, the actor happy, nice work, it is easy and warm the soul.It is very important, catching a condition is true, do not miss it by all possible means to maintain it. Stanislavsky and claimed that a great help to find the right course of action, the actor may have given circumstances, and "if." I recall installing Stanislavski line system:given circumstances, and "if only" to be able to expand on the lessons run them in the study period of the Studio section of the program. Stanislavski pointed out that "if" always starts creativity, given circumstances develop it.Without each other, they can not exist and provide the necessary excitatory effect actor. But the functions of several razlich77 HN, "if only" gives rise slumbering imagination serves as a lever for the artist, transforming it from reality into the world created by the creative imagination of the playwright, actor, helps to supplement his own fiction. Offered the same circumstances warrants of the "if only" contribute to the instantaneous internal restructuring of the actor - to "shift" by which it is possible for the Stage. Stanislavski said that through the "if only" normal, natural, organic, self- generated internal and external actions.The secret influence "if only" Stanislavsky saw that thanks to him as there was no abuse of consciousness actor.
WATCH THE FILM HAJDE DA SE VOLIMO ONLINE The artist does not have to force yourself to really believe that he is in a new situation. Using "if" only is proposed, what would it be if I were in different circumstances?That is placed on the resolution of a question to which an actor and tries to answer. But by property artistic nature, he is responsible not verbally, but by action.Under the given circumstances Stanislavsky understood primarily plot plays, described in her facts, events, relationships actors, age, time, and place of action, the actor and director's vision of the work.First of all, the future actor should focus on all the given circumstances, taken out of the play, from her directorial decisions, out-of-plan role.