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Fairy tales of the Viennese wood
FILM HEIRS Purely cinematic theme-objective physical movement.And more importantly, the drive is a clever attempt not only to extend the range of theatrical action to the sphere in which the only significant physical phenomena, but also to ensure that this retreat was seen as the culmination of the idea of вЂ‹вЂ‹the plot.Griffith's efforts are directed to ensure that at least reconcile with the specific requirements of the theater movies that tend to show the physical reality and the flow of life. However, his efforts in this direction have failed. Griffith was unable to bridge the chasm that separates the theater from the cinematic narrative.However, his pursuers as easily refer to the physical stress speculative, but on closer examination, this intensity of action is excessive. Thus, in the "modern" history of film "Intolerance" scene "rescue at the last minute," do not express the moral plot by means of cinema;final of this type, rather, captures and excites the viewer as a physical contest of download the film Heirs and speed between the hostile parties. It makes him feel, in fact, not related to the "ideological concept of" plot, involving the triumph of justice over evil, which is intolerance.Griffith pursuit not only concludes the story as spectacularly cinematic takes our attention away from the 299 in it. It extinguishes the ideological intensity of the plot in the physical excitement "Pygmalion". Interestingly, in this sense and an example of adaptation of "Pygmalion."A comedy show in the film added closeups of recording equipment, the scene with details painful process of learning Eliza phonetics and the whole episode of the ball at the embassy with a lot of funny little things - all these shots show the physical being and the environment characters in the play. What is the meaning of the additions?As in his play Shaw download the film Heirs and expressed in words all that he wants to say, adding these, of course, do not need to explain her ideas. Still, they are present in the film. And vpechatlyaemosti episode ball at the embassy and the scene with Higgins, finds fault with the slightest mistake in pronunciation Eliza, superior to all the rest. Erwin Panofsky writes that "these two scenes, completely missing in the play and virtually inaccessible media theater, the brightest in the film;whereas dialogue Shaw, even ruthlessly truncated form, moments not impressed "The result on the screen, this brilliant satire on the petty-bourgeois morality largely loses its power, and what was left of it is perceived more as depleted theater than genuine movie .Or, to put more generally, the transformation of the play into a film entails shifting the emphasis from the sphere of speculative ideas into objects amenable to photography. In the film, the facts of the environment more sociological views, abstract thought is subject to a multi- valued manifestations of nature.Theatrical piece unfolds, we can say on the level of physical existence, while the film tends to go right through it, it is possible to capture more exhaustively.Unlike film, attracts the viewer's attention to the stairs in the building of the embassy, вЂ‹вЂ‹to torture and to the equipment Eliza Higgins in the play all this is taken as a matter of course as the backdrop for an elegant dialogue.Ekranizatory "Pygmalion" as if guided by a desire to restore the old form that the raw material from which Shaw created his comedy, and, apparently, is the desire to automatically weaken their interest in the topics and arguments that motivated the action comedy.The "most remarkable" than Zekk tried to give 300 Shakespeare, obviously, is the most transient phenomena of the material world.