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This can be seen, at least reviewing the collection of download the film Heirs
and selected scenarios of Soviet cinema. It has a script, nothing rivals the best examples of Soviet prose and Soviet theater drama.Of course, the prose - the immortal kind of literature. Fiction was, is and will be leading a native of all the arts. But compared to even a theatrical drama scriptwriter has the right to take the lead. Yet until now, we have considered a writer of theater playwright and screenwriter - at best polupisatelem.It is no accident the fact that the Chairman of the Union of Soviet Writers screenwriting Stein recently wrote each of his first work for the theater, and then to a movie, that is, considering the cinema as the second of his profession, and not as the first. The last thing I blame Stein, I blame all of us.Meanwhile, I remember a time when such screenwriting as Vinogradskaya, Zarchi, Grebner, Leonids, considering screenwriter noble task and the highest form of literary creation, entirely dedicated themselves cinema, found in him a complete and utter creative satisfaction.It is thanks to the efforts of these people have managed to Soviet cinema in the 20 years of this century to become first in the world and show the mighty unsurpassed examples of revolutionary art, innovative and deeply ideological focus and development of film language, the search for a specific, new cinematic forms .Union of Soviet Writers should finally start full-scale operation in the field of screenwriting, setting himself the task to contribute fully to our art, to provide filmmaking vysokoideynoy and highly literary foundation. Undoubtedly, screenwriter dramatically affect the overall state of the Soviet literature in recent years.Tough was screenwriter and yet false, timeserving spirit of his works live and in film. The Second Congress of Soviet Writers must resolve many important issues. - Second All-Union Congress of Soviet Writers working in Moscow 15-26 December 1954.Romm was a delegate to this convention from the Moscow writers' organization. See: Second All-Union Congress of Soviet Writers. Verbatim Report. , Prose writers and poets, playwrights and theater criticism is highly expected that the discussion at the Congress and its solutions open up new prospects for them.But most of all interested in the decisions of the Congress is screenwriting. Until now, the Union of Soviet Writers - nor his government, nor the Secretariat - was responsible for the state of affairs in the cinema. There comes a time when the Union of Soviet Writers should take care of screenwriting. Three main challenges facing them.First - to raise the level of leading screenwriting industry literature.
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The second - to organize a permanent, intimate and living relationship with the film industry to take an active part in ensuring the film worthy literary foundation.And the third - with cinematography organize education screenwriting in the existing system of literary schools. Our immediate challenge in recent years, wherever met filmmaker with the audience, the conversation usually began the question: Why can not enough of the new Soviet films? Pleased to note that today the situation in the film is changing radically.