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per., p. 179: two forms of memory are "memory cloth" and "narrowing" of the present. 414 Gilles D / elez KlnoObrazvremya 415 Kane ": for example, hitting the top of the camera Syuzenalkogolichku, te tron вЂ‹вЂ‹in a large room tavern, to make it koechto remember.Or, for example, in the film "Magnificent Embersony" fixed nature of a whole scene in depth download the film Hiroshima
and justified by the fact that the boy is not giving mind wants aunt remembered something important to him in the film "The Trial" rushing up the camera also means the starting point attempts hero who tries at all costs to understand what justice canblame him. The second case appears in most scenes with transverse depth of "Citizen Kane", where each stage corresponds to a certain the flag of the past, we ask: Is this not the secret lies Wirth lectual, the same Rosebud?And in the movie "Mr. Arcadia", where the sequence of alternating figures relate to the corresponding piece of cloth of the past, we see in their transfer to another relay so the cloth, but they co-exist with respect to the initial point-like force.It becomes clear that obrazvospominanie itself is not so interesting, but it requires two beyond its scope phenomena: variation panels clean past, where we can find it, and narrowing the actual present from which a continuously renewable searches.The depth of the frame moves from one to the other, from the extreme tapering to a large piece of cloth, and vice versa. Wells' once and deforms space and time, alternately expanding and narrowing them, he - the owner of the situation in which we are immersed, "Movement of the camera from the top and bottom of the form the restriction of time and the transverse and lateral trevelling - the flag of the past.The depth of the frame is fueled by these two sources of memory. And it is not about obrazevospominanii, and about the current attempt to resurrect the past, download the film Hiroshima
and aimed at the revival of such an image, as well as many times issle1 Bazin download the film Hiroshima
and analyzed the scene in the kitchen, but did not put it in the dependence of the functions of the memories that are carried mented.The same technique is very often uses Wyler, for which the depth is related to the findings of two characters: that is, for example, planepizod of the "best years of our lives," Bazin analyzed in his article on Wyler;but here also applies analyzed Mitri plan of "Invictus," where two characters meet after separation, and here they were waiting for a kind of recursion, which casts them in their memory.
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In this last example, the depth of the frame works with the maximum contraction, not allowing us to implement the method of "direct - reverse perspective":camera suddenly motion zhetsya up behind one of the characters and grasps at once and cramped ship rogue arm of the hero and heroine face quivering. With two of the 11 e t Jean. В«La soif du mal, ou Orson Welles et la soif d'une transcendanceВ», В«Orson Welles. Etudes cinematographiques В», p. 115.ment of virtual zones of the past to find the image, select, make it down to the present.