FILM I LAUREATI
...Somewhere in the woods sitting on a fallen trunk of an elderly man with a guitar in his hands and softly singing almost forgotten song, go astray, recalls the words of his wife asks, "What's next?" - And download the film I Laureati
and again sings scared groom's aunt, Anna, ran away from sin Aunt Anna. If this is so sinful, we would have died out long ago, Aunt Anna ...This is the beginning of the Estonian film "Our Arthur" of the popular singer, Honored Artist of Arthur Rinne. But heard backstage monologue: - Girls, a phenomenal kid ... He draws only the bones and skulls. Cemetery unit did ... I've come late to the concert, I open the door - screaming in the apartment ...It sits on an upturned chair, for some reason, all smeared with black coal, eyes burning, spinning wildly in his hand a red tie ... This he depicts Chapaev. Phenomenal kid! Replicas of these here, combinations of phrases, download the film I Laureati
and dropped on the stairs or in the dressing room, was born soundtrack film "Perpetual Motion" - the daily life of the ensemble of Moses.In one scene of the film "The surgeon Wisniewski," the hero can not concentrate for a minute sitting, self- absorbed, his eyes half closed, finally explodes: "You see how it's hard, comrades! .. In my head a million things.Came a very large man, asked to label him a book on memory, but I can not because my head is occupied by another, and then the operation, you know ... "What has all these moments have peeped in the profession a singer, a dancer, a surgeon? Yes no. But they reveal on the screen of their human traits.Compartments of these "non-essential" characteristics, and you leave the heroes in the same two-dimensional space, depriving volume. However, no less important are the details, "stuff", authentic in its details and snagging the depiction of the man himself in his profession.The first shots "Circus Dancers Raisa Nemchinskaya" in this sense antitraditsionny. Mercilessly tightened plan: an arena artist installs equipment for the room, talking with Assist, and then yells at work under the dome. The screen is nothing special happens: ropes, harnesses, pulleys, ropes.But the authors hold the camera, as if they suggest: look, how many actions within this "nichegonegovoryaschego" episode in his own rhythm, in its details. Tightness of the frame as if struggling with the desire eyes glide over the surface.The point, of course, not in the style of shooting and editing features that are typical of the film director and cinematographer Marina Goldovskaya. For attention to details, or to long plan costs a certain relation to the world, to people. This kind of reaction to the "peripheral vision", the habit of looking at life from the window of an express train.
...Talk with Jaan Taptsom, famous Estonian chempionomshtangistom, is a massage, his words are slow, difficult movement as thought. Interviewer and Karemyae rezhisseraoperatora Pyldre attract not records that occur in front of a large audience, and even painful process of training.They seek to bring to us the inner world of the hero, to attach us to the circle of his thought.