movie I Laureati
Bryunius last itself adjacent to the "avant-garde", clearly expressed these views in the following words:"Now put forward new requirement - to provide a movie the same right which is given poetry and painting, - the right to break as with realism and with didactics, with documentary and fiction, so you can movie I Laureati watch online
and abandon the presentation of the plot ...and even create new forms and movements, not copy them from nature "joining these claims Bryunius calls movies" least realistic of the arts. " So, the filmmaker "vanguard" guided by the following intentions:He wanted them to organize the selected material in the rhythms rather the birth of his internal motivation than mimic those found in nature. He wanted to invent new forms, and not , download movie I Laureati
and to capture or detect existing.He wanted to film footage display it with a subjective vision, and not revealed his real subtext. Areas of the "vanguard" What experimental films are the result of such intentions? Some of them are purely personal.Defies classification, for example, the film Alexandrov "Sentimental Romance" - rough mishmash, or rather, the inventory of various "avant-garde" of innovations and aspirations.It is not easy to carry kakoylibo category and Hans Richter film "Ghosts before breakfast," in which he, piling one trick welcome to another shows how bizarrely behave hats and tableware, rebelled against performing their daily duties. And, of course, a special place among these films takes "Entr'acte" by René Clair.240 "Intermission". This "classic absurdity" 14 deserves special examination as the only non-fiction experiment "vanguard" is clearly tied to the reality of the cameras. "Intermission" can be divided into two parts. The first is devoted mainly rhythm of movement and maintenance of sleep, which could dream of people visited the eve amuse park.Figures snovideniya- among them fragile paper boat floating in the sky over the rooftops of Paris, only -Contact free association based on analogy, contrast, and even at all clear on what. Cigarettes put upright, turned into columns of a Greek temple; tutu dancing baleriny- drop in flower;and when the camera, leaning back, looking up to show us the rest of the figure of a ballerina, then instead of her head we see the head of a bearded man. All this is reminiscent of the performance in the film magician Méliès. Incidentally, the similarity with Melies enhanced vivid theatricality of some scenes "intermission".The originality of the film lies in the fact that underneath it all meant nothing. Conversion of cigarettes in the Greek colony - no more than a vague resemblance harping; figure made up of the legs and torso of a ballerina and a bearded male head - just shameless Dadaism.In short, Claire treats fiction in a joking manner, and therefore his "Intermission" more responsible than contradicts the spirit of the expressive means of cinema.