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After that - an outline of the demonstration. The Clash - so sharp, that before you realize that before you cut the frame, and again - a pulsating machine gunner, and again - a demonstration.Clash sharply contrasting frames, however contradictory, creates a kind of shocks, shock, and this alarming rate. Modern audiences watch this hard. I took out the gunner's plans to see what is left. It turned out that were pretty long pieces demonstrations and they would be twice as long;I took out the machine gunner, with the transfer of download the film I nuovi barbari
and cleared-up to the general, therefore, no need to spend time on the awareness of change, and then it turned out that the first plan of the demonstration - 1? meters, the middle distance - 1? meter, again a general plan - 2 meters, that is to get a normal smooth running show.We download the film I nuovi barbari
and planted a gun firing sound, and the episode is completely relaxed. What better installation - Eisenstein or this? Of course, Eisenstein download the film I nuovi barbari
and principled, he is mounting, and what I have done, installation is not, it's just stuck together and the sound of machine gun demonstration.The very purpose for which Eisenstein created this installation - is to get the viewer to hear the sound of gunfire in the silent film, feel the rhythm and fever, without the sound, to see a demonstration of receding from the fire, without sound. Eisenstein, this was achieved through the installation, and I have a very simple one: the addition of a machine gun sound.Demonstration runs up, and mount the episode is not necessary. This is the most clear, precise example of what the aims of installation. In this example, you can detect the difference in our approach to the installation with that. You can give different examples of installation, they will last for five lectures.Take two large connecting piece pictures, and find that when they are connected in contrast, they contain the same elements that were present in the silent installation in his small cell. And now we need to connect and contrasting episodes to mark the time elapsed.Here is a room, the room is, let's talk about the event, say, two young men had a fight to the death, and one says:in class to fight awkward, but tomorrow I'll kick in the competition your ears - in the next frame you can move to any open air, on the volleyball competition, and the sharper it is, the easier you will be transported.
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That is, there is just the principle of contrast will work for you, in this case, the law will continue installation.To skip the time, and the time you need to jump with contrast or with rhymes. I must say that although the installation and invented, so to speak, in the film, but basically speaking, it's not a purely cinematic method of storytelling or the development stage, it is characteristic of any art, especially good prose.This is understandable, because in general the laws of organic spectacle is more or less the same for many of the arts, and good literature usually uses, and often uses it, and panoramic observation techniques and assembly methods of presentation of events.