This latter "has no value ishi not exist or is completely subordinate role";As for rhythm, he, on the contrary, is "something that can not be brought, but is the very condition of poetic cinema, the main element of its strength."Richter is considered an excellent narrative films "Battleship" Potemkin "and especially the early short films of Chaplin," whose success is due not plot, and humane and expressive use of film. " Practice confirms the following provision Richter-'Tera:authors of the best stories, the best scenarios are not pisateliprozaiki not playwrights and directors. German theorist, however, notes that writing the script does not have to be the responsibility of the director, in which "bear the greatest burden and the greatest responsibility" in the process of making a film.Recognizing the need for more or less the "Iron" scenario, we must recognize the need for the participation of the director in his writing. The case of Chaplin, who himself comes up with stories, writing and even music, due, of course, not only because there is no suitable staff.It should be noted that, in speaking of the staff, Richter does not mean actors. He argues that the value of the actor "not greater than the value of any object, contributing to enhance the artistic impact of the film. The actor is the means as they could be such an inkwell, a bird, a tree.What matters is the extent to which it is involved in the film. Best or worst facial expressions are not important, as well by the chosen pose and lighting can achieve the same results ... ". We shall see how these claims are controversial. Immigrated during the First World War in America, Hans Richter soon finds a gradual extinction of artistic send that underlie the line movie, one of the most prominent members of which he continued;On the other hand, Richter said "humane and social unrest" which, of course, could not be found in the previous films Eggeling, and most Ruttmana Richter.This "concern", as we have seen demonstrated in many other filmmakers who previously treated the film as "a purely plastic art," as the "music of the eye," as "photogenic." Fischinger films, student Ruttmana, marked the end of the last act of the "avant-garde" in Germany.So far, says Richter, the question that must precede anything, which is essential: a vision of the artist, his love of the unknown, irrational, or love for people and humanity as a whole? The answer in both cases, said Richter, can only be "yes.""But you can not try to solve this problem a combination of items that meet both of these requirements." He himself, however, tried to overcome this "contradiction" in "Metal" and a number of projects that remain unfulfilled. Yet Hans Richter remains true to his principles filmmaker and theorist of the "vanguard."In the film include the opening film of unrealized ideas of a social nature should mention "There's no time to cry", "We live in a new world", "Democracy and the Corporation", "Two of the siege," "The Four Freedoms," "The Role of Women in America."4 Aristarko so 51 "Dreams, that you can buy," in which he appeared as a producer, director and editor, he again download the film Iancu Jianu
and experimented, often with excellent results.